Wednesday, November 30, 2011

How to Eat Fried Worms (New Line Platinum Series)

  • Author Thomas Rockwell's hugely popular book, "How to Eat Fried Worms", is now brought to the big screen! On his first day at a new school, eleven-year-old Billy goes up against the school bully in a challenge that ends up with a total gross-out date.to eat 10 worms in one day! As the pressure mounts, Billy must summon all his strength to meet the dare, all the while keeping his weak stomach from
Because of a bet, Billy is in the uncomfortable position of having to eat fifteen worms in fifteen days. The worms are supplied by his opponent, whose motto is "The bigger and juicier, the better!" At first Billy's problem is whether or not he can swallow the worm placed before him, even with a choice of condiments from peanut butter to horseradish. But later it looks as if Billy will win, and the challenge becomes getting to the worm to eat it. Billy's family, after checking with the doctor, takes e! verything in stride. They even help Billy through his gastronomic ordeal, which twists and turns with each new day, leaving the outcome of the bet continually in doubt.


From the Paperback edition.How to Eat Fried Worms has happily repulsed children since its original publication in 1973. Now youngsters can experience this classic story in a whole new yucky way, by listening to it on audiocassette. Narrator Jay O. Sanders gives extra kick and vitality to this already lively yarn. He throws himself into the role of a 10-year-old boy, facing the most revolting bet of his life. Billy must eat 15 worms in 15 days--but the reward will be worth it: $50 for a shiny new minibike. Luckily, Billy's friends cook up these fat juicy grubs in a variety of appetizing ways--drenched in ketchup and mustard, fried in butter and cornmeal, and the pièce de résistance, a Whizband Worm Delight (an ice-cream worm cake). Sanders derives obvious pleasure from re! ading (and singing) out loud the hilarious rhymes and childis! h chants concocted from the mind of the book's author, Thomas Rockwell.

"Trout, Salmon, flounder, perch,
I'll ride my minibike into church.
Dace, tuna, haddock, trout,
Wait'll you hear the minister shout."

How to Eat Fried Worms is a ghastly gastronomical treat that will dazzle young listeners. (Running time: two hours, two cassettes) --Naomi GesingerAuthor Thomas Rockwell's hugely popular book, "How to Eat Fried Worms", is now brought to the big screen! On his first day at a new school, eleven-year-old Billy goes up against the school bully in a challenge that ends up with a total gross-out date...to eat 10 worms in one day! As the pressure mounts, Billy must summon all his strength to meet the dare, all the while keeping his weak stomach from betraying him and his big mouth from getting him in even more trouble!The popular 1973 kid's book How to Eat Fried Worms gets a respectful, straightforward translation with this 2006 movie. When bu! llies put worms in his thermos, Billy fights back--and only gets in deeper trouble when he makes a stomach-churning bet that he can eat ten worms. Using a variety of cooking schemes, the pack of bullies make a slimy meal even more repulsive, but Billy--to his own surprise--takes on everything they throw at him. As the disgustingness escalates, he discovers that not everyone is what they seem. Though many story elements are changed from the book, How to Eat Fried Worms treats the situation and characters with intelligence and integrity. There are a few cartoonish moments (including some inventive animated sequences), but overall the movie is down-to-earth and sincere, delivering some simple and unforced messages about courage and friendship along with the gross-out humor. The kids--including Luke Benward (Because of Winn-Dixie) as Billy and Hallie Kate Eisenberg (probably best known from a series of popular Pepsi ads) as a too-tall girl who shares Billy's outs! ider status--aren't overly slick, and the scenes between Billy! and his father (Tom Cavanaugh, from the TV show Ed) feel honest and unpatronizing. A modest but heartfelt movie. --Bret Fetzer

Dracula 2000

  • Simon (Miller) is a vampire hunter in training under his apprenticeship.
  • Van Helsing and Simon travel from London to New Orleans to rescue daughter Mary.
  • All items are shipped insured. 7 day money back guarantee.
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  • All DVDs play perfectly. Photos are of the actual dvd you will receive
The master of modern horror, Wes Craven, presents a riveting adaptation of the chilling classic featuring Jennifer Esposito (SUMMER OF SAM), Omar Epps (IN TOO DEEP), Jonny Lee Miller (TRAINSPOTTING), Vitamin C (GET OVER IT), and Jeri Ryan (STAR TREK: VOYAGER). When a team of techno-savvy thieves breaks into a high-security vault, they don't discover priceless artwork ... they find a crypt that hasn't been opened for 100 years! Suddenly, the ancient terror of Dracula is unleashed in the chaotic 21st century. Free to follow his pursuits of seduction and po! wer, Dracula's first destination is America and the exotic city of New Orleans, a place where he feels right at home. Not far behind, however, is a young vampire hunter (Miller) from London, determined to save a young woman (Justine Waddell) with whom Dracula shares his dark legacy!As a director, Wes Craven has been able to infuse his horror movies with humor and some smart, often genuinely creepy, thrills, even on his lowest-budgeted films. As a producer of horror movies, well, his record has been spotty at best. Craven tapped his longtime editor Patrick Lussier to direct Dracula 2000, and the movie ends up with all the good and bad of "a Wes Craven production." A modern-day update of the Dracula legend, the script has some genuinely good ideas. Christopher Plummer (The Insider) takes a relatively juicy role as Van Helsing, owner of an antiques shop specializing in ancient weapons. He takes exception to how his namesake was portrayed in Bram Stoker's classic! novel, which he's more than happy to tell his assistant (Jonn! y Lee Mi ller, "Sick Boy" from Trainspotting) without telling him the whole story. When Omar Epps leads a band of high-tech criminals to break into Van Helsing's high security vault (thinking that with so much security there's got to be something extremely valuable in there), what they end up stealing is the body of Dracula, who of course awakens from his slumber. When the story shifts to New Orleans, where Van Helsing's estranged daughter is working for the local Virgin Megastore (here metaphor is replaced by product placement), Dracula is drawn to her. The undead start to multiply, and the vampire hunt resumes. Another excellent idea deals with a new origin to Dracula, flashing back to biblical times to explain his aversion to silver and crosses. But there is a downside. Under the inept direction of Lussier the movie is never scary, inspiring instead an occasional feeling of pity for the actors. Overall, this a vampire movie for the mind, not the heart. --Andy Spletzer!

Full Time Killer

  • For many years O resides in an isolated world of killing and loneliness, after the death of his love Nancy. O owns a spotless apartment, and Chin who is hired to clean the apartment, has never before met her mysterious employer. Tok, flamboyant and reckless, fancies the thrill of killing and is driven to become theiNo.1 killer. He creates doubt in Chin's mind and Chin knows that Tok's inte
FULL TIME KILLER - DVD Movie

Body of Lies (Widescreen Edition)

  • The CIAs hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agencys man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky a satellite link watches Ferris. At the other end of that real-time link is the CIAs Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he disc
The CIAs hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agencys man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky a satellite link watches Ferris. At the other end of that real-time link is the CIAs Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he discovers trust can be just as dangerous as it is necessary for survival. Leonardo DiCaprio (as Ferris) and ! Russell Crowe (as Hoffman) star in Body of Lies, adapted by William Monahan (The Departed) from the David Ignatius novel. Ridley Scott (American Gangster, Black Hawk Down) directs this impactful tale, orchestrating exciting action sequences and plunging viewers into a bold spy thriller for our time.

Why Boys & Girls Are Different: For Girls Ages 4-6 and Parents (Learning about Sex)

  • ISBN13: 9780758614155
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
This uniquely poignant and funny film focuses on the rekindling of a school relationship that has taken on a new twist.This book, the first in the Learning about sex series for girls, aids parents in the often difficult task of introducing and explaining human sexuality. The simple, age-appropriate text and pictures in this book teach girls ages 4 to 6 that the similariti

CrazyOnDigital 3 AntiGlare Screen Protectors for Apple iPad 2 2nd Generation 16GB 32GB 64GB 3G Wifi

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Tim Allen, Sigourney Weaver, Ray Liotta and Kelsey Grammer lead an all-star cast in this outrageously funny comedy! When Tommy (Tim Allen) gets released from the big house, he discovers life on the outside is even crazier than it was behind bars. Tommy's eccentric sister won't get off his back, his sexy ex-girlfriend won't leave him alone, and his former partner in crime won't take no for an answer. Through it all, Tommy just might find the girl of his dreams and get convicted of love in the first degree.

Special features:

- Inside Crazy on the Outside

- Gag reel

- Digital Copy for portable media playersTim Allen, Sigourney Weaver, Ray Liotta and Kelsey Grammer lead an all-star cast in this outrageously funny comedy! When Tommy (Tim Allen) gets released from the big house, he discovers life on the outside is even crazier than it was behind bars. Tommy's eccentric sister won't get off his back, his sexy ex-girlfriend won't leave him alone, and his former partner in crime won't take no for an answer. Through it all, Tommy just might find the girl of his dreams and get convicted of love in the first degree.

Special features:

- Inside Crazy on the Outside

- Gag reel

- Digital Copy for portable media playersStudio: Tcfhe Release Date: 10/04/2011 Run time: 96 minutes Rating: Pg13Studio: Tcfhe Release Date: 10/04/2011 Run time: 96 minutes Rating: Pg13

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Guards against scratches, smears, dust and dirt, and keeps your LCD screen in perfect condition. Screen protectors provide crystal-clear visibility and do not interfere with touch-screen operation. Anti-glare function helps reducing glare for outdoor use. Each overlay is custom designed to fit, protect, and enhance the performance of your Apple iPad 2. Applied with a mild adhesive, each screen protector will not leave a residue on your screen and can be expected to last for as long as you wish to keep it on.

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Fast & Furious (Two-Disc Special Edition) [Blu-ray]

  • Condition: Average
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Special Edition; Subtitled; Widescreen
Get ready for "five times the action, excitement and fun" (Shawn Edwards, FOX-TV) as Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto (Diesel) partners with former cop Brian O'Conner (Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job - an insane heist worth $100 million. Starring: Vin Diesel, Paul Walker, Dwayne 'The Rock' Johnson, Jordana Brewster, Tyrese Gibson, Chris 'Ludacris' Bridges, Ma! tt Schulze, Sung Kang, Gal Gadot, Tego Calderon, Don Omar, Elsa Pataky, Joaquim de Almeida Directed by: Justin LinFugitive Dom Toretto (Vin Diesel) partners with former cop Brian O'Conner (Paul Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered US strike force led by their toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job -- an insane heist worth $100 million.More is less is generally the case with blockbuster sequels these days, with budgetary bloat often overshadowing the qualities that made the original film click with audiences. The Fast and the Furious movies, however, somehow manage to spin doughnuts around this concept of diminishing returns, with each installment becoming more ridiculously entertaining. Fast Five may be the most overblown entry in the se! ries to date (which is saying quite a bit), but there's a dund! erheaded earnestness to it that's hard to resist. This time around, Vin Diesel and Paul Walker and Co. go for an Ocean's 11 vibe--swapping out the Armani and martinis for Ed Hardy and Muscle Milk--as the gang go on the lam in Rio following a botched train heist. On the lookout for one final big score, they set their sights on bankrupting the local kingpin (an admirably straight-faced Joaquim de Almeida), calling in seemingly every character in the mythos for help. Stuff goes vroom and boom in mass quantities. Perhaps realizing that the formula may be in danger of reaching its shelf date, returning director Justin Lin here livens things up by bringing in Dwayne Johnson as a federal agent with a fearsome grudge. When he and Diesel eventually throw down, the building-busting destruction recalls the immortal War of the Gargantuas. Viewers in the mood for a little logic with their explosions may initially scoff, but by the time the final chase scene rolls around (an outrage! ously sustained kinetic set piece that would make Wile E. Coyote proud) it's tough to keep back the grins. Heaven only knows what the next sequel will bring (Send them back to colonial times? A race against Cthulhu in outer space? Pit them against Dick Dastardly and Muttley?), but there's every confidence that these folks will somehow pull it off. --Andrew WrightGet ready for “five times the action, excitement and fun” (Shawn Edwards, FOX-TV) as Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto (Diesel) partners with former cop Brian O'Conner (Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job - an in! sane heist worth $100 million.More is less is generally the ca! se with blockbuster sequels these days, with budgetary bloat often overshadowing the qualities that made the original film click with audiences. The Fast and the Furious movies, however, somehow manage to spin doughnuts around this concept of diminishing returns, with each installment becoming more ridiculously entertaining. Fast Five may be the most overblown entry in the series to date (which is saying quite a bit), but there's a dunderheaded earnestness to it that's hard to resist. This time around, Vin Diesel and Paul Walker and Co. go for an Ocean's 11 vibe--swapping out the Armani and martinis for Ed Hardy and Muscle Milk--as the gang go on the lam in Rio following a botched train heist. On the lookout for one final big score, they set their sights on bankrupting the local kingpin (an admirably straight-faced Joaquim de Almeida), calling in seemingly every character in the mythos for help. Stuff goes vroom and boom in mass quantities. Perhaps realizing tha! t the formula may be in danger of reaching its shelf date, returning director Justin Lin here livens things up by bringing in Dwayne Johnson as a federal agent with a fearsome grudge. When he and Diesel eventually throw down, the building-busting destruction recalls the immortal War of the Gargantuas. Viewers in the mood for a little logic with their explosions may initially scoff, but by the time the final chase scene rolls around (an outrageously sustained kinetic set piece that would make Wile E. Coyote proud) it's tough to keep back the grins. Heaven only knows what the next sequel will bring (Send them back to colonial times? A race against Cthulhu in outer space? Pit them against Dick Dastardly and Muttley?), but there's every confidence that these folks will somehow pull it off.

--Andrew Wright

Vin Diesel and Paul Walker reteam with Michelle Rodriguez and Jordana Brewster for the ultimate chapter of the franchise built on speed! From big rig heists to precis! ion tunnel crawls, Fast & Furious takes you back into the high! -octane world to race through crowded city streets and across international lines!Fast & Furious is high octane torque-er porn that puts the franchise back on course after drifting in Tokyo. With the original cast once again in the driver's seat, we are good to go with a this-time-it's-personal plot and spectacular race and chase set-pieces that exceed the promise of the stripped-down title, beginning with an awesome highway hijacking of an oil truck led by former street racer Dom Toretto (Vin Diesel, at his glowering and gravel-voiced best). Dom is a fugitive in the Dominican Republic, but after a devastating personal loss, he is driven by revenge to return to Los Angeles to bring down an elusive drug smuggler. He is reunited with Brian O'Connor (Paul Walker), the undercover FBI agent who let him go eight years earlier. Brian, also on the case, must come to terms with Dom and make amends with Dom's sister (Jordana Brewster), whom he betrayed in his original pursuit of Dom. Fast & F! urious is just the ticket for putting your mind on cruise control. From a see-what-you've-got racing challenge through the streets of L.A. to the illicit kicks of the street-racing subculture (this is extreme PG-13), there is nothing cheap about these thrills. A record-shattering opening weekend at the box office could mean faster and more furious action to come, but if this is the franchise's last time around the block, it goes out a winner. --Donald Liebenson
Stills from Fast & Furious (Click for larger image)

! Click to learn more about the BD-Live Experience



BagHead

  • EACH COPY IS SIGNED AND DATED by Author/Illustrator
  • Independently Published
  • For ages 3-8
From the author of Good Night, Monkey Boy, the hilarious tale of a haircut gone awry!
One day Josh had a big, brown bag idea: to wear a paper bag over his head. He thought it was a good idea. His mother did not. Neither did his bus driver, his teacher, or his soccer coach. What could Josh possibly be hiding?
A surprise ending will keep kids gigglingâ€"and from taking haircuts into their own hands!


From the Hardcover edition.While the Duplass Brothers were shooting their last feature film The Puffy Chair, a crew member raised the question "what's the scariest thing you can think of?" Someone immediately said "a guy with a bag on his head staring into your window." Some agreed, but some thought it was downright ridiculous and, if anything, funny (but d! efinitely not scary). Thus, Baghead was born, an attempt to take the absurdly low-concept idea of a "guy with a bag on his head" and make a funny, truthful, endearing film that, maybe, just maybe, was a little bit scary, too.

In their indie sensation The Puffy Chair, writer/directors Mark and Jay Duplass used the retrieval of a piece of furniture to explore the relationship between a close-knit trio. Their studio follow-up represents something both fresh and familiar. Not to be confused with the children's book of the same name, Baghead retains their emphasis on character over plot mechanics, but this time they infuse their humorous approach with horror overtones. Matt (Ross Partridge), Chad (Steve Zissis), Catherine (Elise Muller), and Michelle (Greta Gerwig, who appears with Mark Duplass in Hannah Takes the Stairs) work as extras in Los Angeles. Matt convinces them to accompany him to his family cabin to write a script in which they a! ll get to star. As they collaborate, it becomes apparent that ! Chad has eyes for Michelle and that Matt and Catherine have been an on-and-off thing for years. The screenplay becomes an excuse to organize their personal and professional lives, until Michelle spots a man with a brown paper bag on his head skulking in the woods. Is he a manifestation of the emotions roiling between the quartet, a psychotic killer, or a friend playing a cruel trick? Baghead turns into a frisky take on The Blair Witch Project, except the Duplass Brothers have more than thrills in mind, since it takes a spooky dude to remind these self-absorbed actors about the importance of friendship. The concept may be slight and the execution rudimentary, but the makers of Baghead have devised an unexpectedly poignant romp. --Kathleen C. Fennessy

Amazon.com
What does one make of a movie whose plot revolves around second-rate actors who scare each other by wearing bags on their heads? This conundrum and more are exploited to stro! ng effect by young directing team Mark and Jay Duplass, in their low-budget, grade Z cult comedy, Baghead. This follow up to their debut effort, The Puffy Chair, stars two couples who head to their parents’ cabin in an attempt to make their own horror film free from the constraints of the film industry. Brothers, Matt (Ross Partridge) and Chad (Steve Zissis), host bimbos Michelle (Greta Gerwig) and Catherine (Elise Muller) on a weekend adventure that is less than intellectually stimulating. As sexual tensions increase, brown paper bags are busted out and the characters seek revenge upon each other by pretending to be masked peeping toms. This meta-narrative of a movie about the making of the movie is further confused when the bunch suspects that there is an extra baghead on the scene, a really psychotic one. A few actually scary moments add gusto to this film that mostly feels like a po’ man’s rendition of Blair Witch Project, with its hand-held c! amera stylings. Highlights throughout involve Chad, the nerdie! r, uglie r brother who manages many funny lines and boosts the humor bigtime. That Baghead is a fairly terrible film, with slow, moronic dialogue and long scenes in which little or nothing happens, may well be intentional. It’s impossible to judge. Baghead is so ripe with irony that it bags the idea that it’s cool to strive towards making a fine film, and the story gives up on trying to be good before it even tries. The characters start washed-up and stay washed-up, as does the movie. But this strange resignation that makes Baghead awful is also what makes it conceptually unique; the Duplass brothers did, after all, complete the film and release it. One wonders why directors bother making a movie that presumes itself worthy of wearing a baghead? This is Baghead’s virtueâ€"it left me feeling as if I had a bag over my head, dumb for missing some bit of subversive genius. --Trinie Dalton



Filmmakers Mark a! nd Jay Duplass have written a celebrity blog for us to promote their new film, Baghead.

Duplass BrothersWhy the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be” was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head?

I’m still not quite sure. When I look back, what we shoul! d have done is clear… we should have made another relationsh! ip movie to cash in on Puffy’s success. But, we were compelled to make Baghead, so we did it. And then something really interesting happened. We discovered that we are hopelessly and helplessly ourselves on set. For example, even if something terrifying was happening in the horror plot, we couldn’t help training the camera on all of the little personal dynamics happening among the 4 lead characters, just like we did on The Puffy Chair. No matter how eerie or cool-looking our lighting got, we were infinitely more obsessed with the chubby guy whose advances were being rejected by the hottie girl.

About a week into filming, we realized we had something VERY different on our hands. We had a horror movie shell… “guy with bag on head comes to get 4 people in a cabin in the woods.” We all know this set-up, right? Not too original. But, we were making a highly sensitive relationship dramedy inside of this horror film because, in the end, that! ’s what Jay and I know how to do best and that’s what we love showing.

So, basically, we started panicking. How do you make a movie work that’s scary, funny, and (ultimately) endearing and touching as we understand the nature of our desperate, sweet, tragically flawed lead characters? The answer was… I hope we don’t @&*# it up.

On week 2, we happened to catch a glimpse of the film Saw on TV, and it became clearer to us how Baghead could be a really interesting film for this time frame in cinema. Saw is great in its own right, but it’s mean, it’s gory, and it’s not really scary. Somehow, the crazy sound design, gore, and effects, took the film further and further away from being actually scary. Whereas, with Baghead, we somehow stumbled into something genuinely frightening, with our $50,000 budget, no sound f/x, no score, no make-up… just a ridiculous paper bag and the question of “who the hell i! s under that bag?” So, we started to feel smart. Confident. ! Inspired in new ways. We even waxed philosophical about how brilliant we were to “come up with his concept” (that we totally lucked into, btw)…

On week 3, we finished the shoot and all looked at each other a little shell shocked. What did we just do? Is this movie even gonna work? Cut to a year later. We’re opening the film at the Sundance Film Festival and every buyer is calling us, making insanely inflated offers, asking us how we came up with such a brilliant, genre-smashing concept.

I guess it kinda comes down to the old adage our dad used to tell us… “I’d rather be lucky than good.”

--Mark & Jay Duplass

PUFFY CHAIR - DVD MovieA little boy learns that wearing a bag on his head when he gets nervous doesn't solve the problem.

Tuesday, November 29, 2011

Pullman Holt B200752 Gloss Boss Mini Floor Scrubber

  • Polish and protect any flooring
  • Lightweight only weighs 7 lbs
  • Features heavy-duty wheels for transport
  • Foot activated power release pedal
  • Includes two washable microfiber pads
Gloss BossTM Buffer Buff, polish and protect hardwood, vinyl, tile, laminate and concrete floors keeping them sparkle clean. Unlike many commercial grade buffers, this one is lightweight (7 lbs.), easy to push and has no drag. Simply spray area with household cleaners and let the powerful dual nylon brushes do the rest. Features heavy-duty wheels for transport and a foot-activated power release pedal. Works on carpets to remove stains! Includes two washable microfiber pads. ETL certified.

The Big Bad Swim

  • An adult swim sets the stage for this charming comedy-drama about love, loss, and second chances. Three strangers inextricably connected through personal heartbreak find themselves entering deep water as they learn that life isn't always about diving right in it's about getting your feet wet once in awhile. Starring Jeff Branson (TV's All My Children) and Paget Brewster (TV's Criminal Minds).Not R
Elizabeth Halsey (Cameron Diaz) is a foulmouthed, ruthless, and inappropriate teacher. She drinks, gets high, and can’t wait to marry a meal ticket to get out of her bogus day job. When she’s dumped by her fiancé, she sets her sights on a rich, handsome substitute (Justin Timberlake) while shrugging off the advances of the school gym teacher (Jason Segel). The consequences of her wild and outrageous schemes give her students, coworkers, and even herself an education like no other! As any kid w! ho's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thin! g, a women-can-be-gross-too comedy that spent more time co! ngratula ting itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. Too often, it toes the bad-taste line, when it should be jumping over it with a rocket cycle. --Andrew WrightSee dvd for synopsis Studio: Sony Pictures Home Ent Release Date: 10/18/2011 Run time: 98 minutes Rating: Pg13As any kid who's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thing, a women-can-be-gross-too comedy that spent more time congratulating itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. T! oo often, it toes the bad-taste line, when it should be jumpin! g over i t with a rocket cycle. --Andrew WrightElizabeth Halsey (Cameron Diaz) is a foulmouthed, ruthless, and inappropriate teacher. She drinks, gets high, and can’t wait to marry a meal ticket to get out of her bogus day job. When she’s dumped by her fiancé, she sets her sights on a rich, handsome substitute (Justin Timberlake) while shrugging off the advances of the school gym teacher (Jason Segel). The consequences of her wild and outrageous schemes give her students, coworkers, and even herself an education like no other!As any kid who's ever forcibly shot milk through their nasal passages can testify, the key to a great gross joke isn't so much the content as it is the delivery. The proudly crass Bad Teacher certainly has great big gobs of greasy, grimy potential, chief among them its central performance by an exceedingly game Cameron Diaz, but it occasionally fails to nail the dismount. This film from director Jake Kasdan (Walk Hard: The Dewey Cox Story) is exactly what the title says: after getting dumped by her rich boyfriend, a lying, cheating, and perpetually boozing middle-school teacher (Diaz) hatches a scheme to con her school out of enough money to pay for cosmetic surgery, while squaring off against the aggressively cheerful teacher across the hall (a very funny Lucy Punch). Lessons are not learned, thankfully. Although the title and attitude recall the effortlessly filthy Bad Santa, Bad Teacher feels more like a spiritual sequel to Diaz's earlier Sweetest Thing, a women-can-be-gross-too comedy that spent more time congratulating itself on how far it was willing to go instead of actually going there. While Bad Teacher certainly has its number of belly laughs and worthy outrages (particularly during a hilariously awkward love scene between Diaz and a nerded-up Justin Timberlake), it's hard not to end up with a general feeling of missed opportunities. Too often, it toes the bad-taste l! ine, when it should be jumping over it with a rocket cycle. --Andre w WrightA sexually-charge comedy about love, loss, and second chances. Audience Award Best Feature Film Winner at the Tallgrass Film Festival. Best American Independent Winner at the Fort Lauderdale International Film Festival. Best Feature Film Winner ath the Annapolis Film Festival. Bonus Features include: Filmmaker's Commentary, Cinematographer's Video Journal, and Deleted Scenes.

Bekaert Barb Wire, 18 Ga 4 Point

  • Bekaert Corp 18Ga 4Pt Barb Wire Class 3 118230
  • BEKAERT CORP - WIRE DIV
BARB WIRE - DVD MovieRemember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a night! club in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Studio: Uni Dist Corp. (mca) Release Date: 02/08/2011 Run time: 99 minutes Rating: RRemember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker! Tommy Lee, at which time the whole world got to compare Pam's! barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dictatorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson ! in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Barb Wire - Original Motion Picture Soundtrack Album// 1. Welcome to Planet Boom - Tommy Lee, Pamela Anderson Lee 3:58 2. She's So Free - Johnette Napolitano 2:54 3. Spill the Wine - Michael Huntchence 5:51 4. Word Up! - Gun 4:17 5. Don't Call Me Babe - Shampoo 2:58 6. Hot Child in the City - Hagfish 2:34 7. Let's All Go Together - Marion 3:08 8. Dancing Barefoot - Die Cheerleader 3:49 9. Scum - Meat Puppets In Vapourspace 5:38 10. Ca Plane Pour Moi - Mr. Ed Jumps The Gun 2:32 11. None of Your Business [Barb Wire Metal Mix] - Salt 'N' Pepa 3:31Remember the old days, when Pamela Anderson Lee was still just a Playboy Playmate turned Baywatch babe? You know--back before the bootleg release of her infamous home video with then-husband and ne'er-do-well rocker Tommy Lee, at which time the whole world got to compare Pam's barely adequate acting chops with her formidable skill at fellatio? Yes, those were the days (1996, to be exact), when a movie like Barb Wire represented dubious progress for the busty blonde, who was determined to make as big a splash on the big-screen as she did in the world's most popular syndicated TV series. Set in the year 2017 when the Second Civil War is in full force, this sci-fi action thriller stars Pam in the title role--a leather-clad biker babe ("don't call me babe," she warns) who runs a nightclub in the last free city in America. The rest of country is controlled by the "Congressional Directorate," a dict! atorial superpower which suspects Barb of trafficking in black-market contraband. That gets her into plenty of trouble (and a lot of cleavage-revealing costumes), and ... well, if any of this sounds even vaguely familiar, it's because this comic book-inspired movie is really just a shamelessly breast-enhanced variation on Casablanca, with Pam Anderson in the Bogart role. Taken for what it is, it's a brazen folly with action to spare, and as guilty pleasures go it's surprisingly enjoyable. What--you were expecting Oscar material? --Jeff Shannon Has a patented handle for easier carrying. A protective wrapper around the reel. Is strong as common barbed wire. High carbon steel wire, that needs no stretching. Will not sag, resists temperature changes. Out-last any other common 12-1/2 gauge barbed wire. Class III galvanization. 50% lighter than common barbed wire, costs 25% less.

TRIPLE SOCKET W/EXTENSION

  • Plugs into any cigarette lighter socket or any 12 volt source
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  • Three outlets
  • For use in cars trucks, and boats
GANG TAPES - DVD MovieThe 12V Triple 3-Way Socket Power Outlet By Bell Automotive is perfect for anyone looking to expand the amount of electronic devices in the car. The unit plugs into any domestic and import car cigarette lighter socket or any 12 volt source. It converts a single power source into three power source. The Triple Socket Power Outlet By Bell Automotive can power up to three 12V accessories devices such as radar detectors, CD players, portable video game systems, laptops, cell phones, PDA's, flashlight, spotlights, air compressors and more all at the same time.

Cherish

  • ISBN13: 9780380799367
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Enhanced CD features Cherish's acclaimed "How To Snap" from the Cherish DVD. Also includes the "Do It To It" video featuring Sean Paul, of the YoungBloodZ.

He Longed for...

Race Spencer's gunslinging days are far behind him. He is now a rugged, respectable rancher, but it's a solitary life. Then Fate leads Race to an earthbound angelâ€"lost and alone' the sole survivor of an outlaw attackâ€"and even his hardened heart is moved. He sweeps the ivory-skinned beauty into his arms and carries her away from danger.

A Woman to Cherish

When innocent Rebecca Morgan wakes up in a stranger's embrace, her life has been changed forever. Race's touch makes her blood sing and stirs up emotion! s in her she never knew existed. But this man has a fearsome reputation. And though her life may depend on him, can she trust him? Is it love she sees in her rescuer's dark eyes.?

Race Spencer's gunslinging days are far behind him. He is now a respectable racher, but it's a solitary life. But then Fate lead Race to an earthbound angelâ€"lost and alone, the sole survivor of an outlaw attackâ€"and even his hardened heart is moved. He sweeps the ivory-skinned beauty into his arms and carries her away from danger. When innocent Rebecca Morgan wakes up in a stranger's embrace, she knows her life has been changed forever. Though Race's touch makes her blood sing and stirs up emotions in her she never kenw existed, she knows this man has a fearsome reputation. And though her life may depend on him, she doesn't know if she can trust him. Can it really be love she sees in her rescuer's dark eyes?

Gunslinger turned rancher, Race Spencer has little knowledge of chaste women! . But he's forced to learn when he rescues Rebecca Morgan, the! soul s urvivor of a church group attacked by a band of outlaws anxious to steal the church's money. When Race interrupts their assault before the money is found, a gun battle ensues. Now Race must keep Rebecca safe from the outlaws who are eager to get their hands on the money no matter what the cost. This rough-hewn hero and beautiful heroine's life experiences are light years apart: innocent Rebecca, sheltered from the world by her religion, and cynical Race, who grew up in a world of prejudice and violence, with his physical size and swift gun as his only protection. But they miraculously find a common ground and learn to love each other, making Cherish an emotional read. Don't miss it. --Lois Faye Dyer

Full of It

  • 17 year-old Sam (Pinkston) may be the new kid at school, but he's got a sure-fire scheme to fast-track his popularity. Claiming to drive a Porsche, date a movie star and have a rock-star for a dad, Sam soon finds himself BMOC. But when Sam's outlandish fictions mysteriously turn into outrageous facts - he begins to discover that having all your dreams come true. can be a total nightmare! Forma
17 year-old Sam (Pinkston) may be the new kid at school, but he's got a sure-fire scheme to fast-track his popularity. Claiming to drive a Porsche, date a movie star and have a rock-star for a dad, Sam soon finds himself BMOC. But when Sam's outlandish fictions mysteriously turn into outrageous facts - he begins to discover that having all your dreams come true... can be a total nightmare!

DVD Features:
Audio Commentary
Deleted Scenes
Featurette


(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

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(24x36) Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print

Falcon Down

  • ISBN13: 9781585002672
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Friday Night Lights: The Fourth Season

  • Condition: New
  • Format: DVD
  • AC-3; Box set; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
For four years, the residents and students of Dillon, Texas, have faced difficult choices on and off the field with courage, passion and perseverance. Now the time has come to find closure for problems of the past while pursuing new possibilities that will lead many beyond Dillon city limits. But, will everyone be up to the challenge?Saying goodbye to Dillon, Texas, won't be easy for those who've been with Friday Night Lights from the start--especially those who read the book or saw the movie. Over five years on NBC, students graduated, the high school changed (from West to East Dillon), and Eric and Tami Taylor (Kyle Chandler and Connie Britton) and Buddy Garrity (Brad Leland) remained constants, sometimes making mistakes, but always trying to do right by their kids--biological and! otherwise. And few shows offered more believable relationships, from Coach and Tami to Luke (Matt Lauria) and Becky (Madison Burge), who rekindle their romance in the final season.

If the fourth year marked the end of an era, the fifth revolves around new beginnings: Tami returns to her role as guidance counselor (after a controversial reign as principal), Buddy takes his wayward son under his wing, Julie (Aimee Teegarden) has a rough start at college, Billy (Derek Phillips) becomes assistant football coach, Becky moves in with him and his wife, and quarterback Vince (Michael B. Jordan), who continues to see Jess (Jurnee Smollett), tangles with his recently paroled father, Ornette (Cress Williams). Naturally, there are a few new arrivals, but they don't make the same impact as returning Dillon veterans Landry (Jesse Plemons), Jason (Scott Porter), Matt (Zach Gilford), Tyra (Adrianne Palicki), and Billy's younger brother, Tim (Taylor Kitsch), whose adjustment to life aft! er prison parallels Ornette's experience.

This 13-episode a! rc trace s the road to the state championships and marks the end of one of television's most emotionally involving shows, always operating on the principle that everyone can change, and that there's still room on network TV for semi-improvised, documentary-style filmmaking. Deleted scenes, commentary tracks, and a featurette offer a comprehensive look back at a stellar series, truly one of the medium's very best. --Kathleen C. FennessyTV's hottest new drama, Friday Night Lights, touches down on DVD with all 22 Season One episodes in a 5-disc collection! In the small town of Dillon, everyone comes together on Friday nights when the Dillon High Panthers play. But life is not a game; and the charismatic players, new coach Eric Taylor (Kyle Chandler), and the passionate fans find that their biggest challenges and obstacles come off the field in the compelling day-to-day dramas of their tight-knit community. From producers Brian Grazer (The Da Vinci Code) and Peter Berg (The! Kingdom) comes the critically acclaimed TV series based on the best-selling novel and hit theatrical movie. Discover why The Associated Press calls it "breathtaking in how it captures ordinary life set against extraordinary passions."The first season of Friday Night Lights accomplishes something that few television dramas are able to do: It betters the 2004 film (starring Billy Bob Thornton) on which the series is based. Set in Dillon, Texas, where football--even on the high school level--is everything, Friday Night Lights is a compelling drama with a football subplot. Poignantly and effectively touching on racism, rape, steroids, jealousy, infidelity, and life-changing injuries, the series presents the inhabitants of Dillon as real people who are flawed, but remarkable in their ordinariness. Though the series struggled to find an audience during its inaugural year, it was a critical favorite thanks to some fine acting by leads Kyle Chandler (as Coach Eric Ta! ylor) and Connie Britton (who portrays his wife, Tami). Coach ! Taylor's career depends on his ability to get the Dillon Panthers to the state championship. If the team suffers a losing streak, he knows his family, which includes daughter Julie (Aimee Teegarden), will no longer be welcome in Dillon. Britton, who also played the coach's wife in the film version, is a phenomenal actress who shares simmering chemistry with Chandler. Not content at just being the coach's wife, she lands a job as a counselor at the local high school. That position plays a pivotal role in the season finale, which leaves viewers wondering whether Eric will leave Dillon to accept a coveted coaching job with a university. Though the majority of the twentysomething actors appear too mature to portray high school students, they have the mannerisms of teens down pat. Gaius Charles is perfect as cocky running back Brian "Smash" Williams, who'll risk his health to make sure he gets a football scholarship to college. Local sweethearts Jason Street (Scott Porter) and Lyla Garr! ity (Minka Kelly) are the high school's golden couple. When a football injury leaves him paralyzed, he finds strength in what the future holds for him, but Lyla finds herself in a short-lived affair with Jason's best friend Tim Riggins (Taylor Kitsch). Once the relationship comes out in the open, their classmates' reactions to the "traitors" show that sexual inequality is rampant even in the teen set. Tim's teammates briefly ostracize him, but just as quickly forgive him, especially since he's so valuable on the football field. But Lyla becomes persona non grata to the girls at school who take too much glee in calling the head cheerleader a slut. The hits she takes verbally are no less lethal than the ones the boys take on the gridiron. And the tentative relationship between Julie Taylor and Matt Saracen (Zach Gilford) is the best depiction of teenage love since Angela Chase fell for Jordan Catalano on My So-Called Life. The actors do a wonderful job conveying the sw! eetness, pain, and hurt of falling in love without really unde! rstandin g all of its implications. Peter Berg, who co-wrote and co-directed the film, has a strong presence as a writer on the series and evenly distributes the storylines between the kids and the adults. Friday Night Lights is a drama with teenage characters at its core. But the stories are universal. --Jae-Ha KimOne of the greatest TV dramas of all time continues with 13 gripping fourth season episodes of the critically acclaimed series Friday Night Lights. Small-town life in Dillon has changed irrevocably with the dramatic split of the school district. Coach Taylor (Kyle Chandler) finds himself fighting for the respect of the East Dillon Lions, while his wife, Tami (Connie Britton), faces her own battles as principal of the Dillon High Panthers. Across town, it’s a season for change as graduating students face life after high school, and new students deal with hostile rivalries. From executive producers Brian Grazer, Peter Berg and Jason Katims comes the show that! critics rave “may have the greatest emotional range of any series ever on television” (Neal Gabler, Los Angeles Times).The fourth season of Friday Night Lights begins with Coach Taylor (Kyle Chandler) in what appears to be a lose-lose situation. Fired from Dillon High School as the Panthers' football coach, Taylor is offered a position coaching the East Dillon Lions. No matter how the school board tries to spin it with platitudes about both schools being equal, East Dillon is rundown, has no funds, and has a football squad that's a team in name only. Of course we all know that Coach Taylor being who he is, it's only a matter of time before he turns the team around and gets a little vengeance on the snooty Panthers. Meanwhile, his wife Tami (Connie Britton) is principal of Dillon High School, where their daughter Julie (Aimee Teegarden) is a senior. Her boyfriend, Matt (Zach Gilford), who had the chance to go to art school in Chicago, stayed behind in the small T! exas town because he didn't want to leave behind his grandmoth! er--who' s suffering from Alzheimer's--or Julie. Though some of the plot points may sound melodramatic, they play beautifully in the 13 episodes, which originally aired on television during the 2009-2010 season. There are cast changes, reflecting the graduation of some of the characters. Lyla (Minka Kelly) briefly returns from her studies at Vanderbilt to attend a funeral, while Tim (Taylor Kitsch)--the boy she left behind--struggles with his ambivalent feelings for college and his need to help take care of the only family he has: his older brother, sister-in-law, and infant nephew. And new characters like Vince (Michael B. Jordan)--a central part of at least half the story lines--easily fit into the ensemble cast. Meanwhile, Lyla's dad Buddy (played by Brad Leland with just the right combination of sleaze and pathos) turns out to be instrumental in helping get the football program off the ground at East Dillon. Landry (Jesse Plemons) realizes that his on-again, off-again girlfriend ! is never coming back to him. And he's OK with that as he tackles the challenges of being the new kid at East Dillon. But, as his best friend Matt notes, "he's like a girl" when it comes to holding grudges. There also is major fallout for Tami, who is accused of telling a teenager to end her pregnancy, and trouble for a football player who gets hooked on drugs after an injury. When his religious parents tell him to pray, he does: "Dear Lord, please let me get some more drugs before Friday." There are a few scenarios that ring false, like when the Panthers' star quarterback J.D. McCoy (Jeremy Sumpter) seemingly turns into a malicious, spoiled brat overnight. But overall, Friday Night Lights scores just the right touch. --Jae-Ha Kim

Monday, November 28, 2011

Hurley Juniors Surf Company Short-Sleeve T-Shirt, Heather Grey, Small

  • Waterbase print
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Short sleeve crew in Hurley signature fit and fabric

High Crimes

  • full length audio commentary by the director
  • 6 never before seen featurettes
  • original theatrical trailer
Ashley Judd stars as Claire Kubik, a high-powered attorney whose perfect life comes down when her husband is charged with high crimes of murder. Enlisting the aid of a shrewd military lawyer (Morgan Freeman), Claire will risk her career and even her life to find the truth in this "head-snapping thriller" (Milwaukee Journal Sentinel).A welcomed reunion of Kiss the Girls costars Ashley Judd and Morgan Freeman makes High Crimes a worthwhile thriller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Caviezel) is accu! sed of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implicates a powerful Brigadier General (Bruce Davison), but when Judd hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance. --Jeff ShannonAshley Judd stars as Claire Kubik, a high-powered attorney whose perfect life comes down when her husband is charged with high crimes of murder. Enlisting the aid of a shrewd military lawyer (Morgan Freeman), Claire will risk her career and even her life to find the truth in this "head-snapping thriller" (Milwaukee Journal Sentinel).A welcomed reunion of Kiss the Girls costars As! hley Judd and Morgan Freeman makes High Crimes a worthw! hile thr iller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Caviezel) is accused of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implicates a powerful Brigadier General (Bruce Davison), but when Judd hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance. --Jeff Shannon

"The perfect follow-up to Krakauer's riveting account of a per! fect storm."
--Miami Herald

"Kodas's absorbing description of the narrow moral compass governing human interaction at the top of the world is bound to shock both armchair adventurers and seasoned mountaineers."
--Chicago Tribune

"(Kodas) discovered more deceit, thievery, and double-crossing among his climbers than you find in a Martin Scorsese gangster film. High Crimes is both an adventure story and an exposé of a sport riddled with danger and corruption."
--Washington Post Book World

"Kodas's descriptions of the struggles confronting even the best-prepared climbers leave the reader breathless."
--Dallas Morning News

"[High Crimes] is hair-raising and lays bare the excitement and fear that face great explorers at the top of the world. . . . Well written, and as deftly plotted as the finest mystery novel, Kodas brings to life a disturbing picture of society at high alti! tude."
--Austin Chronicle

"Kodas doe! s an exc ellent job exposing the ways in which money and ego have corrupted the traditional cultures of both mountaineers and their Sherpa guides. . . . His narrative is as hard to turn away from as a slow-motion train wreck."
--Publishers Weekly

High Crimes is journalist Michael Kodas's gripping account of life on top of the world--where man is every bit as deadly as Mother Nature.

Meet Claire Heller Chapman. A criminal defense attorney who’s made a name for herself by taking onâ€"and winningâ€"the toughest cases, Claire still manages to have a relatively calm life as a Harvard Law School professor, devoted wife, and proud mother to six-year-old Annie. Until one night, when the family is out having dinner, a team of government agents bursts onto the scene…heading straight for Claire’s husband.

Tom Chapman has been arrested for an atrocious crime he swears he did not commit. Claire is desperate to believe himâ€"and prove his! innocenceâ€"even when she learns that Tom once had a different name. And a different face. Now, in a top-secret court-martial conducted by the Pentagon, Claire will put everything on the line to defend the man she loves. But as the evidence keeps piling up, the less she knows who her husband really is…and the more he appears to be a cold-blooded murderer.

When (not if---the deal has already been signed) this terrific thriller gets made into a movie, you might see Morgan Freeman as a crusty lawyer who specializes in taking on the military establishment tell the actress playing ace Boston barrister and Harvard Law professor Claire Heller Chapman, "Every civilian who's ever gone into a military general court-martial and tried to attack the foundations of the military has lost his case. No exceptions. The military is a tight, closed fraternity. They take it real serious. Military justice is a deadly serious business." Claire has to ! realize this as she prepares to defend her husband--the ma! n she kn ows as Tom Chapman, but who the Army says is Ron Kubik-- on charges that he took part in a massacre of 87 civilians in San Salvador 13 years before. Full of doubts about Tom's innocence and her own ability to prove it in an unfamiliar arena, Claire is brought to exciting, moving life by the extravagantly gifted Joseph Finder, whose previous thrillers (Extraordinary Powers, The Zero Hour) are available in paperback.
Genre: Drama
Rating: PG13
Release Date: 1-SEP-2009
Media Type: Blu-RayA welcomed reunion of Kiss the Girls costars Ashley Judd and Morgan Freeman makes High Crimes a worthwhile thriller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Ca! viezel) is accused of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implicates a powerful Brigadier General (Bruce Davison), but when Judd hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance. --Jeff ShannonAshley Judd stars as Claire Kubik, a high-powered attorney whose perfect life comes down when her husband is charged with high crimes of murder. Enlisting the aid of a shrewd military lawyer (Morgan Freeman), Claire will risk her career and even her life to find the truth in this "head-snapping thriller" (Milwaukee Journal Sentinel).

Reversible Drape Fur Vest - CHOCOLATE (M)

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Keep warm and stylish in the new season's hottest trend. This bebe vest features faux fur reversible action and dramatic collar. Pairs well with any denim style and complements any pair of boots. Center back to hem: 17.5".

Friday the 13th, Part VI: Jason Lives (Deluxe Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; NTSC; Subtitled; Widescreen
Studio: Paramount Home Video Release Date: 02/03/2009 Run time: 86 minutes Rating: RAs bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less att! ractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartJust whe! n you th ought it was safe to go back to camp . . . here's even more heart-pounding terror.

Five years after the horrible bloodbath at Camp Crystal Lake, all that remains is the legend of Jason Voorhees and his demented mother, who had murdered seven camp counselors. At a nearby summer camp, the new counselors are unconcerned about the warnings to stay away from the infamous site. Carefree, the young people roam the area, not sensing the ominous lurking presence. One by one, they are attacked and brutally slaughtered. Suspense and screams abound in this compelling thriller.As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing! even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than any of the killings beforehand) in an attempt to confuse the masked killer. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his defor! med features (he finally found his way to a sporting-goods sto! re and h is trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartGet ready for twice the terror with Friday the 13th Part 2: Deluxe Edition! Five years after the massacre at Camp Crystal Lake, the nerve-wracking legend of Jason Vorhees and his diabolical mother lives on. Despite ominous warnings from the locals to stay away from “Camp Blood” a group of counselors at a nearby summer camp decide to explore there area where seven people were brutally slaughtered. All too soon, they encounter horrors of their own and the killing begins again. You’ll be at the edge of your seat for this gruesome thriller about 24 hours of bone-chilling fear!As bad as Friday the 13th, Part 2 is, it's a work of art in comparison to the rest of the Friday the! 13th flicks that came afterward. This installment officially introduced us to Jason Voorhees as the killer (if you remember Drew Barrymore's fatal phone quiz in Scream, you know that the killer in the first Friday the 13th was actually Jason's mother), and made the slicing and dicing even more generic. Survivor Alice is dispatched within the first 10 minutes, and we're left with plucky Ginny (Amy Steel, doing a fairly decent Jamie Lee Curtis impression) to do battle with the monstrous Jason. Ginny's part of a another group of horny teenagers (less intelligent as well as less attractive than their predecessors) who try to resurrect Camp Crystal Lake five years after the initial murders--a pretty mean feat, considering this movie was made only a year after the first one. Being a smarty-pants child-psychology major, Ginny tries to outwit the dim Jason, and at one point dons the bloody and moldy sweater of Jason's late mother (which is more disgusting than an! y of the killings beforehand) in an attempt to confuse the mas! ked kill er. Jason may not be the brightest bulb on the tree, but the only one who's going to pull the wool--or in this case, the burlap--over his eyes is Jason himself, who wears a sack with one eyehole throughout the movie to hide his deformed features (he finally found his way to a sporting-goods store and his trademark hockey mask appears in the third installment of the series). Directed by Steve Miner, who also helmed the next Friday the 13th film (in 3-D no less) as well as the more reputable House, Forever Young, and Halloween: H20. --Mark EnglehartFRIDAY THE 13TH PART 3 (DELUXE EDITIO - DVD MovieThe tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past history and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good! ," but this creatively grotesque installment manages to come surprisingly close with a welcome sense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright HAVING ESCAPED IN THE LAST EPISODE, JASON IS BACK, HOCKEY MASKAND ALL, TO CONTINUE HIS MURDEROUS RAMPAGE ACROSS CRYSTAL LAKE.The tender, tragic saga of Jason Vorhees, the world's unhappiest camper, continues when yet another batch of hormonally advanced teens decide to ignore past history and spend some time at the woodsy, pine-scented slaughterhouse known as Camp Crystal Lake. It may be a bit of a stretch to describe any of the entries in this interminable series as "good," but this creatively grotesque i! nstallment manages to come surprisingly close with a welcome s! ense of humor and some quick glimmers of real menace (courtesy of director Steve Miner, who would later go on to helm the far more accomplished Halloween: H20). Originally presented in 3-D, which explains the never-ending slew of objects (knives, pitchforks, yo-yos, cats, eyeballs, etc.) that are repeatedly thrust in the viewer's general direction. --Andrew Wright FRIDAY THE 13TH: They comprise the most successful and shocking tales of terror in cinema history. Now, for the first time, the first eight classic Friday The 13th movies are available together in this killer DVD collection. Beginning with the picture that critics have called the original slasher flick, this collection spans nine years and includes seven additional blood-soaked, suspense-filled sagas starring one of the most horifying characters ever to wear a hockey mask and wield a machete: Jason Voorhees. It's a splatterfest of fear all the way from Crystal Lake to the mean streets of Manhattan. In additio! n, the collection includes a special disc filled with never-before-seen footage and fabulous extras that will slay even the most jaded horrorfilm aficionado! FRIDAY THE 13TH PART 2: Two months after the events of the original Friday the 13th, Alice (Adrienne King), the lone survivor or Mrs. Vorhees' killing spree, meets a grisly end in her city apartment. Five years later, a new group of co-eds converges near Camp Crystal Lake, scene of the original massacre and the drowning of Jason Vorhees that preceded it. This time around, the horny collegians attend a nearby training school for camp counselors. As half the group parties in town, an unseen assailant picks off the other half one by one. Only when camp leader Paul (John Furey) and his girlfriend, Ginny (Amy Steel), return to camp do they uncover the identity of their stalker â€" none other than Jason (Warrington Gillette) himself, alive but grotesquely deformed as a result of his childhood drowning. Flashbacks chronicle ! Jason's behind-the-scenes activities in the first film (perhap! s explai ning how his mother was able to throw the dead bodies of muscular youths through windows with such apparent ease). The young couple's only hope to defeat the fiend lies in psych major Ginny's insights in Jason's mental state.FRIDAY THE 13TH:FINAL CHAPTER DE - DVD MovieAmateur butcher and enthusiastic hockey fan Jason Vorhees is back in business, and business is good. Can a plucky young boy stop the madness before Camp Crystal Lake's population report takes yet another machete-aided dip? The stalk-and-slash formula was pretty narcoleptic by this point, but this otherwise humdrum entry is distinguished by some unusual casting choices (Crispin Glover as a stud in training? Corey Feldman as a genius?) and the splattery return of makeup master Tom Savini. The fact that this installment was titled The Final Chapter may seem to contradict the existence of the numerous sequels that followed, but it's not as if logic was ever this series' strong point to begin with. --Andre! w WrightStudio: Paramount Home Video Release Date: 02/03/2009 Run time: 95 minutes Rating: UrJason rises from the grave to wreak havoc upon a new group of unsuspecting campers in the ultra-bloody rampage Friday The 13th: Part VI: Jason Lives - Deluxe Edition. As a child, Tommy Jarvis killed mass-murderer Jason Voorhees. But now, years later, he is tormented by the fear that maybe Jason isn't really dead. Determined to finish off the infamous killer once and for all, Tommy and a friend dig up Jason's corpse in order to cremate him. Unfortunately, things go seriously awry, and Jason is instead resurrected, sparking a new chain of ruthlessly brutal murders. Now it's up to Tommy to stop the dark, devious and demented deaths that he unwittingly brought about in this terrifying horror film that will take you to the grave and back!

Billabong Odyssey

  • An extreme sports adventure! Top professional surfers scour the world's oceans to ride the biggest waves on the planet. Experience the thrills and spills of action-packed big wave surfing.Running Time: 92 min. Format: DVD MOVIE Genre: SPORTS/GAMES Rating: PG Age: 085393431921 UPC: 085393431921 Manufacturer No: 34319
No Description Available.
Genre: Sports Highlights
Rating: NR
Release Date: 20-APR-2004
Media Type: DVDIn addition to boasting one of the most astonishing opening sequences in the history of extreme-sports filmmaking, Billabong Odyssey offers a breathtaking survey of big-wave surfing at a pivotal stage in its evolution. With the advent of Jet-Ski Waverunners used for "tow-in" access to gigantic waves that paddle-surfers could never reach, this three-year, globe-trotting quest for the world's biggest waves is nothing less than spe! ctacular. As documentaries go it's a bit cruder than 2003's other surfing movie, Step Into Liquid, and many of the same world-class surfers appear in both films (including 49-year-old Ken Bradshaw, still going strong). But Billabong is unrivaled in its abundance of jaw-dropping footage--most of it shot from helicopters hovering in close proximity--showing the sheer, terrifying scale of breaking "tubes"--some reaching 100 feet--at the most challenging big-wave locations on the planet, including Maverick's at Santa Cruz, California; Cortes Bank off the Pacific Coast; "Cyclops" in Australia; Mundaka, Spain; and the treacherous "Jaws" reef on the coast of Maui, Hawaii.

While touching on various hot topics such as safety training, serious wipe-outs, swell-tracking technology, female surfers (like the great Layne Beachley), and hydrofoil surfboards (billed as "the future of the sport"), director Philip Boston applies a casual, competitive structure that's too di! ffuse and lightweight to have much impact. But when the film f! ocuses o n the climactic "Jaws" showdown between Carlos Burle and Mike Parsons, Billabong Odyssey achieves a state of raw power and spiritual intensity, culminating in Parsons' best-ever 10-point ride on a massive tube that constantly threatens to consume him. As dozens of adrenaline-junkie surfers strive for new horizons of unprecedented skill, Billabong Odyssey chronicles their efforts with amazing bird's-eye cinematography. For surfers and non-surfers alike, this movie must be seen to be believed. --Jeff Shannon

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