The Deep End of the Ocean

• Michelle Pfeiffer, Whoopi Goldberg, High School Reunion, Treat Williams, Jonathan Jackson, Cory Buck

A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you arou! nd." --Newsweek

"A drama with the tension of a thriller that moves deeply into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a j! ournalist and compassion of someone who has seemingly been th! ere. Int ernational publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old B! en Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to en! dure, even against extraordinary odds. Filled with compassion,! humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.DEEP END OF THE OCEAN - DVD MovieBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Will! iams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw

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Boogie Woogie [Blu-ray]

• BOOGIE WOOGIE BLU-RAY (BLU-RAY DISC)

An all-star cast has wicked fun in skewering the pretentions and superficiality of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.An all-star cast has wicked fun in skewering the pretentions and superficiality ! of the art world in this comic romp by director Duncan Ward. Emmy and Golden Globe winner Gillian Anderson (The X-Files) is a cougar on the prowl for a new boy-toy; Heather Graham (Boogie Nights, Austin Powers: The Spy Who Shagged Me) is an ambitious assistant who will do anything to advance her career; Tony winner Alan Cumming (X-Men 2) is a hapless dealer with too much decency for his own good; Danny Huston (Robin Hood, Clash Of The Titans) is a rapacious dealer; and the legendary Christopher Lee (The Lord Of The Rings trilogy) is the owner of the priceless work of art titled Boogie Woogie that they all circle with naked desire. Beauty may be in the eye of the beholder, but art ALWAYS has a price.

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The Dreamer (Ala Notable Children's Books. Older Readers)

• ISBN13: 9780439269704
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

17-year-old Beatrice Whaley and her wildly vivid dreams about the American Revolution are back - much to her dismay! After barely surviving a battle against the British Army in the first volume, she''s relieved to find herself safely in the 21st century again. Now, she''s determined to forget about her dreams and try to make things work with the handsome quarterback who asked her out. But as soon as she falls asleep again, the dreams pick right back up and she''s just as confused as ever! Bea and her Revolutionary friends must escape New York City under the watchful eye of the British Army as the tension of living two lives finally brings her to the breaking point!“I suppose I ought to warn you at! the outset that my present circumstances are puzzling, even to me. Nevertheless, I am sure of this much: My little story has become your history. You won’t really understand your times until you understand mine.”

So begins the account of Agnes Shanklin, the charmingly diffident narrator of Mary Doria Russell’s compelling new novel, Dreamers of the Day. And what is Miss Shanklin’s “little story?” Nothing less than the creation of the modern Middle East at the 1921 Cairo Peace Conference, where Winston Churchill, T. E. Lawrence, and Lady Gertrude Bell met to decide the fate of the Arab worldâ€"and of our own.

A forty-year-old schoolteacher from Ohio still reeling from the tragedies of the Great War and the influenza epidemic, Agnes has come into a modest inheritance that allows her to take the trip of a lifetime to Egypt and the Holy Land. Arriving at the Semiramis Hotel just as the Peace Conference convenes, Agnes, with her plainspoken A! merican opinionsâ€"and a small, noisy dachshund named Rosieâ€"! enters i nto the company of the historic luminaries who will, in the space of a few days at a hotel in Cairo, invent the nations of Iraq, Syria, Lebanon, Israel, and Jordan.

Neither a pawn nor a participant at the conference, Agnes is ostensibly insignificant, and that makes her a welcome sounding board for Churchill, Lawrence, and Bell. It also makes her unexpectedly attractive to the charismatic German spy Karl Weilbacher. As Agnes observes the tumultuous inner workings of nation-building, she is drawn more and more deeply into geopolitical intrigue and toward a personal awakening.

With prose as graceful and effortless as a seductive float down the Nile, Mary Doria Russell illuminates the long, rich history of the Middle East with a story that brilliantly elucidates today’s headlines. As enlightening as it is entertaining, Dreamers of the Day is a memorable, passionate, gorgeously written novel.A panoramic yet intimate history of the American leftâ€"of the ! reformers, radicals, and idealists who have fought for a more just and humane society, from the abolitionists to Michael Moore and Noam Chomskyâ€"that gives us a revelatory new way of looking at two centuries of American politics and culture.

Michael Kazinâ€"one of the most respected historians of the American left working todayâ€"takes us from abolitionism and early feminism to the labor struggles of the industrial age, through the emergence of anarchists, socialists, and communists, right up to the New Left in the 1960s and ’70s. While the history of the left is a long story of idealism and determination, it has also been, in the traditional view, a story of movements that failed to gain support from mainstream America. In American Dreamers, Kazin tells a new history: one in which many of these movements, although they did not fully succeed on their own terms, nonetheless made lasting contributions to American society that led to equal opportunity for wom! en, racial minorities, and homosexuals; the celebration of sex! ual plea sure; multiculturalism in the media and the schools; and the popularity of books and films with altruistic and antiauthoritarian messages.

Deeply informed, at once judicious and impassioned, and superbly written, American Dreamers is an essential book for our times and for anyone seeking to understand our political history and the people who made it.

From the time he is a young boy, Neftal\u00ed hears the call of a mysterious voice. Even when the neighborhood children taunt him, and when his harsh, authoritarian father ridicules him, and when he doubts himself, Neftal\u00ed knows he cannot ignore the call. Under the canopy of the lush rain forest, into the fearsome sea, and through the persistent Chilean rain, he listens and he follows. . . Combining elements of magical realism with biography, poetry, literary fiction, and sensorial, transporting illustrations, Pam Mu\u00f1oz Ryan and Peter S\u00eds take readers on a rare journey of the heart and imaginat! ion.

PRAISE FOR PAM MUNOZ RYAN:

\u0022Told in a lyrical, fairy tale-like style....Ryan fluidly juxtaposes world events with one family's will to survive.\u0022--Publishers Weekly, starred review, ESPERANZA RISING

\u0022Ryan writes a moving story in clear, poetic language that children will sink into, and the book offers excellent opportunities for discussion and curriculum support.\u0022 --Booklist, ESPERANZA RISING

\u0022Ebullient and tautly structured....With a pacing that moves along at a gallop, this is a skillful execution of a fascinating historical tale.\u0022--Publishers Weekly, starred review, RIDING FREEDOM

ADDITIONAL AWARDS AND HONORS FOR ESPERANZA RISING:

-Willa Cather Award

-Americas Award Honor Book

-Los Angeles Times Book Prize Finalist

-NYPL 100 Titles for Reading and Sharing

-Smithsonian Notable Book

-Children's Literature Choice List

-Notable Books for a Global Society

-Jefferson Cup Award - Worthy! of note

-Judy Goddard AZ Young Adult Author of the Year Aw! ard

- Judy Lopez Memorial Award

AWARDS AND HONORS FOR RIDING FREEDOM:

-California Young Reader Medal winner (Intermediate Category)

-IRA Teacher's Choice

-Parenting Magazine \u0022Reading Magic\u0022 Award winner

-Recognition of Merit for a First Novel Award - Southern California Council on Literature for Children and Young People

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Howling at the Moon (Tales of an Urban Werewolf, Book 1)

• Paranormal
• Shape Shifters
• Romance

This is it! Gary Brandner's famous book, "THE HOWLING." A must read!

"If you haven't read Gary Brandner you're missing a treat."
~ STEPHEN KING.

* * *

Karyn and her husband Roy had come to the peaceful California village of Drago to escape the savagery of the city. On the surface Drago appeared to be like most small rural towns.
But it was not.
The village had a most unsavory history. Unexplained disappearances, sudden deaths.
People just vanished, never to be found.

* * *

Don't forget to check out:
THE HOWLING II
&
THE HOWLING III

Using his father's watch as a key, Jake intends to return to Calypsos. Instead he's thrust into a strange desert land where he's joined by his friends Marika, Pindor, and Bach'uuk and his sister, Kady. As they try to fig! ure out what to do next, a surprise attack by the beautiful young Princess Nefertiti takes them all captive.

Soon even she is battling the Skull King's minions. For Jake has something the Skull King wantsâ€"a prize that will give its owner awesome power, including control of the fearsome Howling Sphinx. In a new pounding adventure, Jake races against time to outfight and outwit Kalverum Rex, knowing that if the Skull King wins, he'll be unstoppable.

Filled with unexpected danger, challenging puzzles, and dazzling action, this is a first-rate, fast-paced thrillerâ€"a read only James Rollins could have created!

Amazon Exclusive: James Rollins on Writing Jake Ransom and the Howling Sphinx

Over the years, I’ve always included a note at the end of my thrillers, where I address what’s true and what’s not in my novelsâ€"so I thought I’d do the same here.

But before I get started, a bit ab! out myself. Though I earned my degree in veterinary medicine, ! I’ve a lways been an armchair archaeologist. I’ve loved all things buried and lost to time. In fact, I maintain a Cabinet of Curiosities at home, where I display all manner of the weird and strangeâ€"from giant fossilized specimens to tiny, pinned insects. And gracing the top of the cabinet is a massive 100,000-year-old mammoth tusk from China.

So as you might guess, the young adventurer Jake Ransom is close to my heartâ€"and for Jake, I saved my wildest and best adventure of all.

The series is chocked full of the fantastic, but it’s also grounded in reality. Each novel centers on a different lost culture from Earth’s past. First up are the ancient Maya. Throughout the book appear various Mayan glyphs, the symbolic writing of these Mesoamerican people. The glyphs in the book are real, and each plays an important role in the adventure. Likewise, details of the Mayan cultureâ€"from the clothing they wear to their astounding skill at astronomyâ€"are all factual a! nd integral to the story. Additionally, there are several fun facts for kids, too… like how the ancient Maya invented chocolate and chewing gum.

Lastly, for this series I’ve also created my own cryptic language, snatches of which appear in this novel. The alphabet breaks down to English equivalents, so for the more industrious readers, they can translate these bits of language to reveal secret messages.

So that’s just a hint of the truth behind the fantastic world of Jake Ransom. I hope you grab a backpack and come join meâ€"the adventure is just beginning!

Found running wild in the forest of Ashton Place, the Incorrigibles are no ordinary children: Alexander, age ten or thereabouts, keeps his siblings in line with gentle nips; Cassiopeia, perhaps four or five, has a bark that is (usually) worse than her bite; and Beowulf, age somewhere-in-the-middle, is alarmingly adept at chasing squirrels.

Luckily, Miss Penelope Lumley is no ordi! nary governess. Only fifteen years old and a recent graduate o! f the Sw anburne Academy for Poor Bright Females, Penelope embraces the challenge of her new position. Though she is eager to instruct the children in Latin verbs and the proper use of globes, first she must help them overcome their canine tendencies.

But mysteries abound at Ashton Place: Who are these three wild creatures, and how did they come to live in the vast forests of the estate? Why does Old Timothy, the coachman, lurk around every corner? Will Penelope be able to teach the Incorrigibles table manners and socially useful phrases in time for Lady Constance's holiday ball? And what on earth is a schottische?

This is it! Gary Brandner's famous book, "THE HOWLING III." A must read!

"If you haven't read Gary Brandner you're missing a treat."
~ STEPHEN KING

* * *

They are man. And they are beast.
Once again they stalk the night, eyes aflame, teeth flashing in vengeance.
Malcolm is the young one.
He must choose between th! e familiar way of the human and the seductive howling of the wolf.
Those who share his blood want to make him one of them.
Those who fear him want him dead.
Only one woman and one man want to help him.
Even though they can't believe their ears. Or their eyes.

* * *

Don't forget to check out:
THE HOWLING
&
THE HOWLING II

Romeo and Juliet never had to worry about being skinned alive.

Sydney Skeller’s father is spitting bullets over her reluctance to join the family business as a shifter hunter. The last thing Daddy needs to know is whyâ€"she yearns for a lover who’s man enough for a relationship but animal enough to give her the wild ride of her dreams. After a treadmill mishap lands her in a tangled heap with Jason Cannon, she wonders if she’s finally found her beast, er, man. One session in bed and one bite later, she’s sure. Now if only she can keep her father from mou! nting Jason’s head on a wall…

Jason is all man ! on the s urface, but wolf shifter down to the bone. He’s more than ready to stop “playing the pack” and find his one true mate, and Sydney of the luscious curves is the woman of his dreams. Finding out that she comes from a family sworn to eradicate his kind isn’t a deal-breaker. But her outrageous plan for him to masquerade as the wolf in hunter’s clothing, right under her father’s very nose, could be asking more than he ever expected to give.

Warning: Readers, be aware of stranger side effects. These side effects may include but aren’t limited to the following: biting strangers, asking furry strangers to bite you, purposely falling off treadmills to collide with handsome strangers, enjoying hot sex with wild strangers, and baying at the moon to meet other moon-influenced strangers. If you notice any of these side effects, contact the author immediately. You may be the heroine of her next book!

DYLAN'S SCOUT TROOP goes camping ! in Halape, a remote spot below the volcano on the Big Island of Hawaii. The only thing wrong with the weekend on a beautiful, peaceful beach is Louie, a tough older boy. Louie and Dylan just can't get along.

That night an earthquake rocks the camp, and then a wave rushes in, sweeping everyone and everything before it. Dylan and Louie must team up on a dangerous rescue mission. The next hours are an amazing story of survival and the true meaning of leadership.


From the Hardcover edition.Show biz memoir at its name-dropping, bridge-burning, profane best: the music industry’s most outspoken, outrageous, and phenomenally successful executive delivers a rollicking memoir of pop music’s heyday.

During the 1970s and '80s the music business was dominated by a few major labels and artists such as Michael Jackson, Bruce Springsteen, the Rolling Stones, Bob Dylan, Billy Joel, Paul Simon, Barbra Streisand and James Taylor. They were all under ! contract to CBS Records, making it the most successful label o! f the er a. And, as the company’s president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile and controversial personality to emerge from an industry and era defined by sex, drugs and debauchery.

Having risen from working-class Brooklyn and the legal department of CBS, Yetnikoff, who freely admitted to being tone deaf, was an unlikely label head. But he had an uncanny knack for fostering talent and intimidating rivals with his appalling behaviorâ€"usually fueled by an explosive combination of cocaine and alcohol. His tantrums, appetite for mind-altering substances and sexual exploits were legendary. In Japan to meet the Sony executives who acquired CBS during his tenure, Walter was assigned a minder who confined him to a hotel room. True to form, Walter raided the minibar, got blasted and, seeing no other means of escape, opened a hotel window and vented his rage by literally howling at the moon.

In Howling at the Moon, Yetnikoff traces his journey as he climbed the corporate mountain, danced on its summit and crashed and burned. We see how Walter became the father-confessor to Michael Jackson as the King of Pop reconstructed his face and agonized over his image while constructing Thriller (and how, after it won seven Grammies, Jackson made the preposterous demand that Walter take producer Quincy Jones’s name off the album); we see Walter, in maniacal pursuit of a contract, chase the Rolling Stones around the world and nearly come to blows with Mick Jagger in the process; we get the tale of how Walter and Marvin Gayeâ€"fresh from the success of “Sexual Healing”â€"share the same woman, and of how Walter bonds with Bob Dylan because of their mutual Jewishness. At the same time we witness Yetnikoff’s clashes with Barry Diller, David Geffen, Tommy Mottola, Allen Grubman and a host of others. Seemingly, the more Yetnikoff feeds his cravings for power, sex, liquor a! nd cocaine, the more profitable CBS becomesâ€"from $485 millio! n to wel l over $2 billionâ€"until he finally succumbs, ironically, not to substances, but to a corporate coup. Reflecting on the sinister cycle that left his career in tatters and CBS flush with cash, Yetnikoff emerges with a hunger for redemption and a new reverence for his working-class Brooklyn roots.

Ruthlessly candid, uproariously hilarious and compulsively readable, Howling at the Moon is a blistering You’ll Never Eat Lunch in this Town Again of the music industry.“A swift-paced, fun romp.”
â€"Charlaine Harris, New York Times bestselling author

Romance is about to get a little hairy.

Sophie Garou seems to have it all: a great job at a prestigious accounting firm, a closet that rivals a Nordstrom showroom, and a terrific boyfriend who isn’t afraid to use the “M” word. There’s just one little itty-bitty problem: Sophie is a werewolfâ€"and her time of month has a whole new meaning.

Needless to say, life among yummy flesh-! and-blood humans is no piece of steak . . . er, cake!, but regular doses of wolfsbane tea and a mother who runs a magic shop have helped Sophie keep her paranormal pedigree under wraps. Still, when a sexy, golden-eyed werewolf prowls into town, Sophie finds herself struggling to keep her animal impulses in checkâ€"not to mention trying to keep things on track with her super hot (and super human) lawyer boyfriend. What’s more, someone is threatening to expose Sophie for what she really is. And when her mother is accused of selling a poison-laced potion, Sophie must sniff out a culprit before the fur hits the fan.

DON’T MISS THE NEXT BOOK IN THIS HAIR-RAISING TRILOGY: ON THE PROWL

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Goodbye Solo - Movie Poster - 27 x 40 Inch (69 x 102 cm)

• You are looking at a great poster.
• This poster measures approx. 27 x 40.
• Rolled and shipped in a sturdy tube.
• This poster is from Goodbye Solo (2008)

One man is filled with hope for a new life in America. The other is convinced there is nothing left to live for. Together, this odd couple will embark on a journey that will change them both forever. From acclaimed director Ramin Bahrani (CHOP SHOP) comes a powerful story of friendship and forgiveness that earned rave reviews and won the International Critics Prize at the Venice Film Festival.This book is for children & adults whose loving pets have died or disappered. This picture book will bring joy to your heart...bringing back your precious, shared earthly memories. With a little imagination you will see that your pet really lives in the GREAT BEYOND! Inspired by a true story A story of loss and healing For pet lovers of all ages An excellent read-aloudMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

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Bait Shop

• Quality Used DVD Guarantee!!
• Original Cover Art!!
• Easy Return Policy - Visit Movie Planet Online to Learn More!

A small time crook doesn't realize he is the bait in a sneaky government scheme to capture a killer.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 4-FEB-2003
Media Type: DVDWhen petty thief and hustler Alvin Sanders (Jamie Foxx from Any Given Sunday and The Wood) gets arrested for stealing shrimp, the worst of his problems would seem to be going to jail. Unfortunately, he ends up sharing a cell with a guy who, while stealing $42 million in gold from the Federal Reserve, double-crossed his partner--a partner with a knack for computers and a long memory. While being interrogated by a hardball Treasury agent (David Morse from The Green Mile), the double-crosser dies from heart failure. All the f! eds have are an incomprehensible message that was left with Alvin, so they decide to release him and use him as bait to catch the partner by secretly implanting a combination tracking device and electronic bug into Alvin's jaw. From that moment on, a surveillance team can follow Alvin's every move and hear his every word. Unfortunately, Alvin has a talent for getting into trouble--which means that the feds have to become his guardian angels so that he can serve his purpose. Bait certainly has its problems (there's a lot of fancy editing for no good reason, a few plot holes you could drive a truck through, and the actor playing the bad guy really wishes he was John Malkovich)--but even though it's nonsense, it's not predictable. The clever story moves along with surprising efficiency and has some successful comic bits. The characters can't be called well developed, but they aren't clichés; the movie doesn't require any great acting, but the cast is consistently engag! ing. In fact, Bait is one of the more enjoyable action ! movies o f the past few years. --Bret Fetzer Diego has gotten into trouble because of his temper before. But when he punches out a guy at school who was looking at him funny, he finds himself in juvenile court, facing the possibility of probation, or worseâ€"juvenile jail. Diego doesn’t trust or like Mr. Vidas, his assigned probation officer. But it’s either talk to Mr. Vidas, or end up in worse trouble. When Diego eventually opens up to Mr. Vidas, he begins to understand that the source of his anger is buried in his pastâ€"and to move beyond it, he must stop running from his personal demons.Live bait makes all the difference.

Sent on a mission to lure Budapest’s vampire Overlord into a trap, Connie Bence is instead caught red-handed by the dark Casanova.

Her employer has concrete proof of the dubious leader’s misdeeds but she is surprised when this ruthless killer, Rurik, offers her protection and rescues her from his own kind. It plants seeds o! f doubt in her mind and she begins to question his guilt.

Now she is thrown into his world where blackmail determines her every move and where she must betray those she cares about or let them die. The stakes are high. She either puts her trust in Rurik or leads him to his execution.

Love or life.
Live bait makes all the difference.

Sent on a mission to lure Budapest’s vampire Overlord into a trap, Connie Bence is instead caught red-handed by the dark Casanova.

Her employer has concrete proof of the dubious leader’s misdeeds but she is surprised when this ruthless killer, Rurik, offers her protection and rescues her from his own kind. It plants seeds of doubt in her mind and she begins to question his guilt.

Now she is thrown into his world where blackmail determines her every move and where she must betray those she cares about or let them die. The stakes are high. She either puts her trust in Rurik or leads him to h! is execution.

Love or life.
Studio: Lions Gate Hom! e Ent. Release Date: 09/02/2008 Run time: 85 minutes Rating: PgBait Shop stars the eternally affable yet exasperated comedian Bill Engvall as Bill Dugan, owner of a homey but smalltime bait shop. Bill's job and self-respect are threatened when arrogant fishing celebrity Hot Rod Johnson (Billy Ray Cyrus, better known as Miley's dad) opens a massive fishing superstore right next door. Only by challenging Hot Rod in a bass fishing tournament can Bill set things right! Bait Shop is a bundle of clumsy cliches made somewhat tolerable by a likable cast (including outlaw country music singer Billy Joe Shaver as Bill's mentor) and an enthusiastic performance by Cyrus, who clearly enjoys being the bad guy for once. High points include Bill having a bar fight while dressed in a fish costume and Bill wrestling an obviously rubber bass into his boat. There are many declarations about how fishing used to be more pure and how friendship is the most important thing in life. Extras ! include a standard-issue making-of documentary, some beautiful shots of the local landscape (which, inexplicably, never got used in the movie itself), some understandably deleted scenes and some scenes of the cast goofing around. All in all, not much effort was put into making either the movie or the DVD. --Bret Fetzer

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Hexbug Nano (Colors May Vary)

• Nano - Micro Robotic Creatures
• The robotic creature that behaves like a real bug
• Colors may vary
• Go online to register and track your Nano collection
• Additional bugs, track, habitats, carrying cases and more are available separately

A lonely waitress with a tragic past, Agnes (Judd) rooms in a run-down motel, living in fear of her abusive, recently paroled ex-husband (Connick Jr.). But when Agnes begins a tentative romance with Peter (Shannon), an eccentric, nervous drifter, she starts to feel hopeful again - until the first bugs arrive...William (The Exorcist, The French Connection) Friedkin directed this harrowing portrait of slow-boiling paranoia about a lonely waitress (Ashley Judd) whose world spirals out of control after meeting a charismatic but damaged drifter (Michael Shannon). Said drifter fills the gulf of loneliness that has swallowed ! Agnes (Judd) whole as she struggles to stay afloat in a backwater desert town; gradually, Shannon reveals that his stint as a soldier in the Middle East has left him infested with microscopic bugs that he believes are part of a government conspiracy. The force of his conviction (combined with the horrific physical self-abuse he endures) slowly persuade Agnes that she, too, is infested, and the pair undergo a gruesome mental and physical meltdown. Based on the theatrical production by Tracey Letts (who also wrote the screenplay), Bug has a hard time escaping its stage origins (much of the action takes place in one dingy motel room), but Friedkin ramps up the intensity to near uncomfortable levels, and Judd and Shannon (recreating his performances in the New York and London productions) are more than up to the challenge. Their fearless turns are well-matched by Harry Connick, Jr., as Agnes' creepy ex-husband and Brian F. O'Byrne as a medic who may or may not be part of! Shannon's shadowy government cabal. Viewers should be forewar! ned that the violence is intense and often bloody; those that find insects unsettling should avoid at all costs. -- Paul GaitaNo Description Available.
Genre: Horror
Rating: PG
Release Date: 14-SEP-2004
Media Type: DVDHexbug Nano Micro-robotic Creature. Mother Nature meets micro-robotics with Hexbug Nano. Designed to look and behave like a real bug, Nano is actually a very cool little robot that uses the physics of vibration to propel itself along and explore its environment. It runs, it skitters in all directions, it flips over and then pops back on its feet. Theres no telling what Nano will do next! Real fun with real science. Let your Nano run free or build a special Nano habitat (sold separately) with a whole family of Nanos. Start a Nano nation! The possibilities are endless... and so is the fun. Visit the Hexbug website to register and track your Nano, play games with other collectors, download photos and learn more about robotic! science. Nanos measure approx. 1" long, with batteries included. Nano uses 1 AG13 button cell battery (sold separately for $3). Youll go buggy for Hexbug Nano at Brookstone... order a swarm today! Warning: Choking hazard--small parts. Not for children under 3 years. NOTE: At this time we are unable to provide online customers with specific color choices for this product. "Assorted" orders will ship in orange, green, blue, purple or red. To obtain a specific color choice for this product, please visit a Brookstone store near you.

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The Day After Tomorrow

• A young American doctor haunted by his father's murder stumbles into a chilling international conspiracy and crosses paths with, among others, a weary L.A. cop investigating a series of surgically precise decapitations, a naive physical therapist and a hypercompetent German assassin.

In a Paris cafe, American surgeon Paul Osborn looks across the room and spots the man who murdered his father thirty years before. In London, a grizzled L.A. homicide cop named McVey joins Scotland Yard to unravel the mystery of a severed head and seven headless corpses. Neither American knows the link between the long-ago killing and the recent murders. But Paul's obsession to catch his father's killer will send him careening across Europe at breakneck speed, his life in the balance, his heart in the hands of a beautiful woman who may be his lover-or his downfall. Shadowing his every move is the relentless McVey! . And haunting them both is a secret organization larger and more embracing than any the world has ever seen, preparing for an apocalypse to begin...

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Edge of Darkness

• The bullet that killed his daughter was meant for Boston cop Thomas Craven. That s what police brass and Craven himself think, but that s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn t a target before, he and anyone linked to his inquiry now is. Mel Gibson stars in

The bullet that killed his daughter was meant for Boston cop Thomas Craven. That’s what police brass and Craven himself think, but that’s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn’t a target before, he--and anyone linked to his inquiry--now is. Mel Gibson stars in his first screen lead in eight years, making Craven’s grief palpable and his quest for paybac! k stone-cold and relentless. Martin Campbell (Casino Royale) directs from a screenplay co-written by The Departed’s William Monahan. Gibson is back, taking us to the edge…and into the sinister darkness.The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he's grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted "Craven!" and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved y! et scarcely knew, he discovers she'd been preparing to turn wh! istleblo wer on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly--in Craven's backyard at night, say--always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven's tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula's The Parallax View, and we're nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does! decent-enough work--the occasional bursts of "shocking action" do shock even as we know they're coming--but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski's The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. --Richard T. Jameson

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Friday Night Lights: The Fourth Season

• Condition: New
• Format: DVD
• AC-3; Box set; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

For four years, the residents and students of Dillon, Texas, have faced difficult choices on and off the field with courage, passion and perseverance. Now the time has come to find closure for problems of the past while pursuing new possibilities that will lead many beyond Dillon city limits. But, will everyone be up to the challenge?Saying goodbye to Dillon, Texas, won't be easy for those who've been with Friday Night Lights from the start--especially those who read the book or saw the movie. Over five years on NBC, students graduated, the high school changed (from West to East Dillon), and Eric and Tami Taylor (Kyle Chandler and Connie Britton) and Buddy Garrity (Brad Leland) remained constants, sometimes making mistakes, but always trying to do right by their kids--biological and! otherwise. And few shows offered more believable relationships, from Coach and Tami to Luke (Matt Lauria) and Becky (Madison Burge), who rekindle their romance in the final season.

If the fourth year marked the end of an era, the fifth revolves around new beginnings: Tami returns to her role as guidance counselor (after a controversial reign as principal), Buddy takes his wayward son under his wing, Julie (Aimee Teegarden) has a rough start at college, Billy (Derek Phillips) becomes assistant football coach, Becky moves in with him and his wife, and quarterback Vince (Michael B. Jordan), who continues to see Jess (Jurnee Smollett), tangles with his recently paroled father, Ornette (Cress Williams). Naturally, there are a few new arrivals, but they don't make the same impact as returning Dillon veterans Landry (Jesse Plemons), Jason (Scott Porter), Matt (Zach Gilford), Tyra (Adrianne Palicki), and Billy's younger brother, Tim (Taylor Kitsch), whose adjustment to life aft! er prison parallels Ornette's experience.

This 13-episode a! rc trace s the road to the state championships and marks the end of one of television's most emotionally involving shows, always operating on the principle that everyone can change, and that there's still room on network TV for semi-improvised, documentary-style filmmaking. Deleted scenes, commentary tracks, and a featurette offer a comprehensive look back at a stellar series, truly one of the medium's very best. --Kathleen C. FennessyStudio: Uni Dist Corp. (mca) Release Date: 10/04/2011One of the greatest TV dramas of all time continues with 13 gripping fourth season episodes of the critically acclaimed series Friday Night Lights. Small-town life in Dillon has changed irrevocably with the dramatic split of the school district. Coach Taylor (Kyle Chandler) finds himself fighting for the respect of the East Dillon Lions, while his wife, Tami (Connie Britton), faces her own battles as principal of the Dillon High Panthers. Across town, it’s a season for change as gradu! ating students face life after high school, and new students deal with hostile rivalries. From executive producers Brian Grazer, Peter Berg and Jason Katims comes the show that critics rave “may have the greatest emotional range of any series ever on television” (Neal Gabler, Los Angeles Times).The fourth season of Friday Night Lights begins with Coach Taylor (Kyle Chandler) in what appears to be a lose-lose situation. Fired from Dillon High School as the Panthers' football coach, Taylor is offered a position coaching the East Dillon Lions. No matter how the school board tries to spin it with platitudes about both schools being equal, East Dillon is rundown, has no funds, and has a football squad that's a team in name only. Of course we all know that Coach Taylor being who he is, it's only a matter of time before he turns the team around and gets a little vengeance on the snooty Panthers. Meanwhile, his wife Tami (Connie Britton) is principal of Dillon High Schoo! l, where their daughter Julie (Aimee Teegarden) is a senior. H! er boyfr iend, Matt (Zach Gilford), who had the chance to go to art school in Chicago, stayed behind in the small Texas town because he didn't want to leave behind his grandmother--who's suffering from Alzheimer's--or Julie. Though some of the plot points may sound melodramatic, they play beautifully in the 13 episodes, which originally aired on television during the 2009-2010 season. There are cast changes, reflecting the graduation of some of the characters. Lyla (Minka Kelly) briefly returns from her studies at Vanderbilt to attend a funeral, while Tim (Taylor Kitsch)--the boy she left behind--struggles with his ambivalent feelings for college and his need to help take care of the only family he has: his older brother, sister-in-law, and infant nephew. And new characters like Vince (Michael B. Jordan)--a central part of at least half the story lines--easily fit into the ensemble cast. Meanwhile, Lyla's dad Buddy (played by Brad Leland with just the right combination of sleaze and ! pathos) turns out to be instrumental in helping get the football program off the ground at East Dillon. Landry (Jesse Plemons) realizes that his on-again, off-again girlfriend is never coming back to him. And he's OK with that as he tackles the challenges of being the new kid at East Dillon. But, as his best friend Matt notes, "he's like a girl" when it comes to holding grudges. There also is major fallout for Tami, who is accused of telling a teenager to end her pregnancy, and trouble for a football player who gets hooked on drugs after an injury. When his religious parents tell him to pray, he does: "Dear Lord, please let me get some more drugs before Friday." There are a few scenarios that ring false, like when the Panthers' star quarterback J.D. McCoy (Jeremy Sumpter) seemingly turns into a malicious, spoiled brat overnight. But overall, Friday Night Lights scores just the right touch. --Jae-Ha Kim

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