Wednesday, November 30, 2011

How to Eat Fried Worms (New Line Platinum Series)

  • Author Thomas Rockwell's hugely popular book, "How to Eat Fried Worms", is now brought to the big screen! On his first day at a new school, eleven-year-old Billy goes up against the school bully in a challenge that ends up with a total gross-out date.to eat 10 worms in one day! As the pressure mounts, Billy must summon all his strength to meet the dare, all the while keeping his weak stomach from
Because of a bet, Billy is in the uncomfortable position of having to eat fifteen worms in fifteen days. The worms are supplied by his opponent, whose motto is "The bigger and juicier, the better!" At first Billy's problem is whether or not he can swallow the worm placed before him, even with a choice of condiments from peanut butter to horseradish. But later it looks as if Billy will win, and the challenge becomes getting to the worm to eat it. Billy's family, after checking with the doctor, takes e! verything in stride. They even help Billy through his gastronomic ordeal, which twists and turns with each new day, leaving the outcome of the bet continually in doubt.


From the Paperback edition.How to Eat Fried Worms has happily repulsed children since its original publication in 1973. Now youngsters can experience this classic story in a whole new yucky way, by listening to it on audiocassette. Narrator Jay O. Sanders gives extra kick and vitality to this already lively yarn. He throws himself into the role of a 10-year-old boy, facing the most revolting bet of his life. Billy must eat 15 worms in 15 days--but the reward will be worth it: $50 for a shiny new minibike. Luckily, Billy's friends cook up these fat juicy grubs in a variety of appetizing ways--drenched in ketchup and mustard, fried in butter and cornmeal, and the pièce de résistance, a Whizband Worm Delight (an ice-cream worm cake). Sanders derives obvious pleasure from re! ading (and singing) out loud the hilarious rhymes and childis! h chants concocted from the mind of the book's author, Thomas Rockwell.

"Trout, Salmon, flounder, perch,
I'll ride my minibike into church.
Dace, tuna, haddock, trout,
Wait'll you hear the minister shout."

How to Eat Fried Worms is a ghastly gastronomical treat that will dazzle young listeners. (Running time: two hours, two cassettes) --Naomi GesingerAuthor Thomas Rockwell's hugely popular book, "How to Eat Fried Worms", is now brought to the big screen! On his first day at a new school, eleven-year-old Billy goes up against the school bully in a challenge that ends up with a total gross-out date...to eat 10 worms in one day! As the pressure mounts, Billy must summon all his strength to meet the dare, all the while keeping his weak stomach from betraying him and his big mouth from getting him in even more trouble!The popular 1973 kid's book How to Eat Fried Worms gets a respectful, straightforward translation with this 2006 movie. When bu! llies put worms in his thermos, Billy fights back--and only gets in deeper trouble when he makes a stomach-churning bet that he can eat ten worms. Using a variety of cooking schemes, the pack of bullies make a slimy meal even more repulsive, but Billy--to his own surprise--takes on everything they throw at him. As the disgustingness escalates, he discovers that not everyone is what they seem. Though many story elements are changed from the book, How to Eat Fried Worms treats the situation and characters with intelligence and integrity. There are a few cartoonish moments (including some inventive animated sequences), but overall the movie is down-to-earth and sincere, delivering some simple and unforced messages about courage and friendship along with the gross-out humor. The kids--including Luke Benward (Because of Winn-Dixie) as Billy and Hallie Kate Eisenberg (probably best known from a series of popular Pepsi ads) as a too-tall girl who shares Billy's outs! ider status--aren't overly slick, and the scenes between Billy! and his father (Tom Cavanaugh, from the TV show Ed) feel honest and unpatronizing. A modest but heartfelt movie. --Bret Fetzer

Dracula 2000

  • Simon (Miller) is a vampire hunter in training under his apprenticeship.
  • Van Helsing and Simon travel from London to New Orleans to rescue daughter Mary.
  • All items are shipped insured. 7 day money back guarantee.
  • Christmas Sale Going on Now!
  • All DVDs play perfectly. Photos are of the actual dvd you will receive
The master of modern horror, Wes Craven, presents a riveting adaptation of the chilling classic featuring Jennifer Esposito (SUMMER OF SAM), Omar Epps (IN TOO DEEP), Jonny Lee Miller (TRAINSPOTTING), Vitamin C (GET OVER IT), and Jeri Ryan (STAR TREK: VOYAGER). When a team of techno-savvy thieves breaks into a high-security vault, they don't discover priceless artwork ... they find a crypt that hasn't been opened for 100 years! Suddenly, the ancient terror of Dracula is unleashed in the chaotic 21st century. Free to follow his pursuits of seduction and po! wer, Dracula's first destination is America and the exotic city of New Orleans, a place where he feels right at home. Not far behind, however, is a young vampire hunter (Miller) from London, determined to save a young woman (Justine Waddell) with whom Dracula shares his dark legacy!As a director, Wes Craven has been able to infuse his horror movies with humor and some smart, often genuinely creepy, thrills, even on his lowest-budgeted films. As a producer of horror movies, well, his record has been spotty at best. Craven tapped his longtime editor Patrick Lussier to direct Dracula 2000, and the movie ends up with all the good and bad of "a Wes Craven production." A modern-day update of the Dracula legend, the script has some genuinely good ideas. Christopher Plummer (The Insider) takes a relatively juicy role as Van Helsing, owner of an antiques shop specializing in ancient weapons. He takes exception to how his namesake was portrayed in Bram Stoker's classic! novel, which he's more than happy to tell his assistant (Jonn! y Lee Mi ller, "Sick Boy" from Trainspotting) without telling him the whole story. When Omar Epps leads a band of high-tech criminals to break into Van Helsing's high security vault (thinking that with so much security there's got to be something extremely valuable in there), what they end up stealing is the body of Dracula, who of course awakens from his slumber. When the story shifts to New Orleans, where Van Helsing's estranged daughter is working for the local Virgin Megastore (here metaphor is replaced by product placement), Dracula is drawn to her. The undead start to multiply, and the vampire hunt resumes. Another excellent idea deals with a new origin to Dracula, flashing back to biblical times to explain his aversion to silver and crosses. But there is a downside. Under the inept direction of Lussier the movie is never scary, inspiring instead an occasional feeling of pity for the actors. Overall, this a vampire movie for the mind, not the heart. --Andy Spletzer!

Full Time Killer

  • For many years O resides in an isolated world of killing and loneliness, after the death of his love Nancy. O owns a spotless apartment, and Chin who is hired to clean the apartment, has never before met her mysterious employer. Tok, flamboyant and reckless, fancies the thrill of killing and is driven to become theiNo.1 killer. He creates doubt in Chin's mind and Chin knows that Tok's inte
FULL TIME KILLER - DVD Movie

Body of Lies (Widescreen Edition)

  • The CIAs hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agencys man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky a satellite link watches Ferris. At the other end of that real-time link is the CIAs Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he disc
The CIAs hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agencys man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky a satellite link watches Ferris. At the other end of that real-time link is the CIAs Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he discovers trust can be just as dangerous as it is necessary for survival. Leonardo DiCaprio (as Ferris) and ! Russell Crowe (as Hoffman) star in Body of Lies, adapted by William Monahan (The Departed) from the David Ignatius novel. Ridley Scott (American Gangster, Black Hawk Down) directs this impactful tale, orchestrating exciting action sequences and plunging viewers into a bold spy thriller for our time.

Why Boys & Girls Are Different: For Girls Ages 4-6 and Parents (Learning about Sex)

  • ISBN13: 9780758614155
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
This uniquely poignant and funny film focuses on the rekindling of a school relationship that has taken on a new twist.This book, the first in the Learning about sex series for girls, aids parents in the often difficult task of introducing and explaining human sexuality. The simple, age-appropriate text and pictures in this book teach girls ages 4 to 6 that the similariti

CrazyOnDigital 3 AntiGlare Screen Protectors for Apple iPad 2 2nd Generation 16GB 32GB 64GB 3G Wifi

  • Designed specifically for Apple iPad 2 Wifi 3G 16GB 32GB 64GB
  • Reducing glare for outdoor use
  • Great Unique and Bright Design
  • Must have product for Apple iPad 2 Owners
  • NOTE: The screen protector has 3 layers. Remove the top layer by peeling off the sticker.
Tim Allen, Sigourney Weaver, Ray Liotta and Kelsey Grammer lead an all-star cast in this outrageously funny comedy! When Tommy (Tim Allen) gets released from the big house, he discovers life on the outside is even crazier than it was behind bars. Tommy's eccentric sister won't get off his back, his sexy ex-girlfriend won't leave him alone, and his former partner in crime won't take no for an answer. Through it all, Tommy just might find the girl of his dreams and get convicted of love in the first degree.

Special features:

- Inside Crazy on the Outside

- Gag reel

- Digital Copy for portable media playersTim Allen, Sigourney Weaver, Ray Liotta and Kelsey Grammer lead an all-star cast in this outrageously funny comedy! When Tommy (Tim Allen) gets released from the big house, he discovers life on the outside is even crazier than it was behind bars. Tommy's eccentric sister won't get off his back, his sexy ex-girlfriend won't leave him alone, and his former partner in crime won't take no for an answer. Through it all, Tommy just might find the girl of his dreams and get convicted of love in the first degree.

Special features:

- Inside Crazy on the Outside

- Gag reel

- Digital Copy for portable media playersStudio: Tcfhe Release Date: 10/04/2011 Run time: 96 minutes Rating: Pg13Studio: Tcfhe Release Date: 10/04/2011 Run time: 96 minutes Rating: Pg13

Designed specifically for Apple iPad 2 Wifi 3G 16GB 32GB 64GB

Guards against scratches, smears, dust and dirt, and keeps your LCD screen in perfect condition. Screen protectors provide crystal-clear visibility and do not interfere with touch-screen operation. Anti-glare function helps reducing glare for outdoor use. Each overlay is custom designed to fit, protect, and enhance the performance of your Apple iPad 2. Applied with a mild adhesive, each screen protector will not leave a residue on your screen and can be expected to last for as long as you wish to keep it on.

NOTE: The screen protector has 3 layers. Remove the top layer by peeling off the sticker.


Fast & Furious (Two-Disc Special Edition) [Blu-ray]

  • Condition: Average
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Special Edition; Subtitled; Widescreen
Get ready for "five times the action, excitement and fun" (Shawn Edwards, FOX-TV) as Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto (Diesel) partners with former cop Brian O'Conner (Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job - an insane heist worth $100 million. Starring: Vin Diesel, Paul Walker, Dwayne 'The Rock' Johnson, Jordana Brewster, Tyrese Gibson, Chris 'Ludacris' Bridges, Ma! tt Schulze, Sung Kang, Gal Gadot, Tego Calderon, Don Omar, Elsa Pataky, Joaquim de Almeida Directed by: Justin LinFugitive Dom Toretto (Vin Diesel) partners with former cop Brian O'Conner (Paul Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered US strike force led by their toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job -- an insane heist worth $100 million.More is less is generally the case with blockbuster sequels these days, with budgetary bloat often overshadowing the qualities that made the original film click with audiences. The Fast and the Furious movies, however, somehow manage to spin doughnuts around this concept of diminishing returns, with each installment becoming more ridiculously entertaining. Fast Five may be the most overblown entry in the se! ries to date (which is saying quite a bit), but there's a dund! erheaded earnestness to it that's hard to resist. This time around, Vin Diesel and Paul Walker and Co. go for an Ocean's 11 vibe--swapping out the Armani and martinis for Ed Hardy and Muscle Milk--as the gang go on the lam in Rio following a botched train heist. On the lookout for one final big score, they set their sights on bankrupting the local kingpin (an admirably straight-faced Joaquim de Almeida), calling in seemingly every character in the mythos for help. Stuff goes vroom and boom in mass quantities. Perhaps realizing that the formula may be in danger of reaching its shelf date, returning director Justin Lin here livens things up by bringing in Dwayne Johnson as a federal agent with a fearsome grudge. When he and Diesel eventually throw down, the building-busting destruction recalls the immortal War of the Gargantuas. Viewers in the mood for a little logic with their explosions may initially scoff, but by the time the final chase scene rolls around (an outrage! ously sustained kinetic set piece that would make Wile E. Coyote proud) it's tough to keep back the grins. Heaven only knows what the next sequel will bring (Send them back to colonial times? A race against Cthulhu in outer space? Pit them against Dick Dastardly and Muttley?), but there's every confidence that these folks will somehow pull it off. --Andrew WrightGet ready for “five times the action, excitement and fun” (Shawn Edwards, FOX-TV) as Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto (Diesel) partners with former cop Brian O'Conner (Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job - an in! sane heist worth $100 million.More is less is generally the ca! se with blockbuster sequels these days, with budgetary bloat often overshadowing the qualities that made the original film click with audiences. The Fast and the Furious movies, however, somehow manage to spin doughnuts around this concept of diminishing returns, with each installment becoming more ridiculously entertaining. Fast Five may be the most overblown entry in the series to date (which is saying quite a bit), but there's a dunderheaded earnestness to it that's hard to resist. This time around, Vin Diesel and Paul Walker and Co. go for an Ocean's 11 vibe--swapping out the Armani and martinis for Ed Hardy and Muscle Milk--as the gang go on the lam in Rio following a botched train heist. On the lookout for one final big score, they set their sights on bankrupting the local kingpin (an admirably straight-faced Joaquim de Almeida), calling in seemingly every character in the mythos for help. Stuff goes vroom and boom in mass quantities. Perhaps realizing tha! t the formula may be in danger of reaching its shelf date, returning director Justin Lin here livens things up by bringing in Dwayne Johnson as a federal agent with a fearsome grudge. When he and Diesel eventually throw down, the building-busting destruction recalls the immortal War of the Gargantuas. Viewers in the mood for a little logic with their explosions may initially scoff, but by the time the final chase scene rolls around (an outrageously sustained kinetic set piece that would make Wile E. Coyote proud) it's tough to keep back the grins. Heaven only knows what the next sequel will bring (Send them back to colonial times? A race against Cthulhu in outer space? Pit them against Dick Dastardly and Muttley?), but there's every confidence that these folks will somehow pull it off.

--Andrew Wright

Vin Diesel and Paul Walker reteam with Michelle Rodriguez and Jordana Brewster for the ultimate chapter of the franchise built on speed! From big rig heists to precis! ion tunnel crawls, Fast & Furious takes you back into the high! -octane world to race through crowded city streets and across international lines!Fast & Furious is high octane torque-er porn that puts the franchise back on course after drifting in Tokyo. With the original cast once again in the driver's seat, we are good to go with a this-time-it's-personal plot and spectacular race and chase set-pieces that exceed the promise of the stripped-down title, beginning with an awesome highway hijacking of an oil truck led by former street racer Dom Toretto (Vin Diesel, at his glowering and gravel-voiced best). Dom is a fugitive in the Dominican Republic, but after a devastating personal loss, he is driven by revenge to return to Los Angeles to bring down an elusive drug smuggler. He is reunited with Brian O'Connor (Paul Walker), the undercover FBI agent who let him go eight years earlier. Brian, also on the case, must come to terms with Dom and make amends with Dom's sister (Jordana Brewster), whom he betrayed in his original pursuit of Dom. Fast & F! urious is just the ticket for putting your mind on cruise control. From a see-what-you've-got racing challenge through the streets of L.A. to the illicit kicks of the street-racing subculture (this is extreme PG-13), there is nothing cheap about these thrills. A record-shattering opening weekend at the box office could mean faster and more furious action to come, but if this is the franchise's last time around the block, it goes out a winner. --Donald Liebenson
Stills from Fast & Furious (Click for larger image)

! Click to learn more about the BD-Live Experience



BagHead

  • EACH COPY IS SIGNED AND DATED by Author/Illustrator
  • Independently Published
  • For ages 3-8
From the author of Good Night, Monkey Boy, the hilarious tale of a haircut gone awry!
One day Josh had a big, brown bag idea: to wear a paper bag over his head. He thought it was a good idea. His mother did not. Neither did his bus driver, his teacher, or his soccer coach. What could Josh possibly be hiding?
A surprise ending will keep kids gigglingâ€"and from taking haircuts into their own hands!


From the Hardcover edition.While the Duplass Brothers were shooting their last feature film The Puffy Chair, a crew member raised the question "what's the scariest thing you can think of?" Someone immediately said "a guy with a bag on his head staring into your window." Some agreed, but some thought it was downright ridiculous and, if anything, funny (but d! efinitely not scary). Thus, Baghead was born, an attempt to take the absurdly low-concept idea of a "guy with a bag on his head" and make a funny, truthful, endearing film that, maybe, just maybe, was a little bit scary, too.

In their indie sensation The Puffy Chair, writer/directors Mark and Jay Duplass used the retrieval of a piece of furniture to explore the relationship between a close-knit trio. Their studio follow-up represents something both fresh and familiar. Not to be confused with the children's book of the same name, Baghead retains their emphasis on character over plot mechanics, but this time they infuse their humorous approach with horror overtones. Matt (Ross Partridge), Chad (Steve Zissis), Catherine (Elise Muller), and Michelle (Greta Gerwig, who appears with Mark Duplass in Hannah Takes the Stairs) work as extras in Los Angeles. Matt convinces them to accompany him to his family cabin to write a script in which they a! ll get to star. As they collaborate, it becomes apparent that ! Chad has eyes for Michelle and that Matt and Catherine have been an on-and-off thing for years. The screenplay becomes an excuse to organize their personal and professional lives, until Michelle spots a man with a brown paper bag on his head skulking in the woods. Is he a manifestation of the emotions roiling between the quartet, a psychotic killer, or a friend playing a cruel trick? Baghead turns into a frisky take on The Blair Witch Project, except the Duplass Brothers have more than thrills in mind, since it takes a spooky dude to remind these self-absorbed actors about the importance of friendship. The concept may be slight and the execution rudimentary, but the makers of Baghead have devised an unexpectedly poignant romp. --Kathleen C. Fennessy

Amazon.com
What does one make of a movie whose plot revolves around second-rate actors who scare each other by wearing bags on their heads? This conundrum and more are exploited to stro! ng effect by young directing team Mark and Jay Duplass, in their low-budget, grade Z cult comedy, Baghead. This follow up to their debut effort, The Puffy Chair, stars two couples who head to their parents’ cabin in an attempt to make their own horror film free from the constraints of the film industry. Brothers, Matt (Ross Partridge) and Chad (Steve Zissis), host bimbos Michelle (Greta Gerwig) and Catherine (Elise Muller) on a weekend adventure that is less than intellectually stimulating. As sexual tensions increase, brown paper bags are busted out and the characters seek revenge upon each other by pretending to be masked peeping toms. This meta-narrative of a movie about the making of the movie is further confused when the bunch suspects that there is an extra baghead on the scene, a really psychotic one. A few actually scary moments add gusto to this film that mostly feels like a po’ man’s rendition of Blair Witch Project, with its hand-held c! amera stylings. Highlights throughout involve Chad, the nerdie! r, uglie r brother who manages many funny lines and boosts the humor bigtime. That Baghead is a fairly terrible film, with slow, moronic dialogue and long scenes in which little or nothing happens, may well be intentional. It’s impossible to judge. Baghead is so ripe with irony that it bags the idea that it’s cool to strive towards making a fine film, and the story gives up on trying to be good before it even tries. The characters start washed-up and stay washed-up, as does the movie. But this strange resignation that makes Baghead awful is also what makes it conceptually unique; the Duplass brothers did, after all, complete the film and release it. One wonders why directors bother making a movie that presumes itself worthy of wearing a baghead? This is Baghead’s virtueâ€"it left me feeling as if I had a bag over my head, dumb for missing some bit of subversive genius. --Trinie Dalton



Filmmakers Mark a! nd Jay Duplass have written a celebrity blog for us to promote their new film, Baghead.

Duplass BrothersWhy the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be” was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head?

I’m still not quite sure. When I look back, what we shoul! d have done is clear… we should have made another relationsh! ip movie to cash in on Puffy’s success. But, we were compelled to make Baghead, so we did it. And then something really interesting happened. We discovered that we are hopelessly and helplessly ourselves on set. For example, even if something terrifying was happening in the horror plot, we couldn’t help training the camera on all of the little personal dynamics happening among the 4 lead characters, just like we did on The Puffy Chair. No matter how eerie or cool-looking our lighting got, we were infinitely more obsessed with the chubby guy whose advances were being rejected by the hottie girl.

About a week into filming, we realized we had something VERY different on our hands. We had a horror movie shell… “guy with bag on head comes to get 4 people in a cabin in the woods.” We all know this set-up, right? Not too original. But, we were making a highly sensitive relationship dramedy inside of this horror film because, in the end, that! ’s what Jay and I know how to do best and that’s what we love showing.

So, basically, we started panicking. How do you make a movie work that’s scary, funny, and (ultimately) endearing and touching as we understand the nature of our desperate, sweet, tragically flawed lead characters? The answer was… I hope we don’t @&*# it up.

On week 2, we happened to catch a glimpse of the film Saw on TV, and it became clearer to us how Baghead could be a really interesting film for this time frame in cinema. Saw is great in its own right, but it’s mean, it’s gory, and it’s not really scary. Somehow, the crazy sound design, gore, and effects, took the film further and further away from being actually scary. Whereas, with Baghead, we somehow stumbled into something genuinely frightening, with our $50,000 budget, no sound f/x, no score, no make-up… just a ridiculous paper bag and the question of “who the hell i! s under that bag?” So, we started to feel smart. Confident. ! Inspired in new ways. We even waxed philosophical about how brilliant we were to “come up with his concept” (that we totally lucked into, btw)…

On week 3, we finished the shoot and all looked at each other a little shell shocked. What did we just do? Is this movie even gonna work? Cut to a year later. We’re opening the film at the Sundance Film Festival and every buyer is calling us, making insanely inflated offers, asking us how we came up with such a brilliant, genre-smashing concept.

I guess it kinda comes down to the old adage our dad used to tell us… “I’d rather be lucky than good.”

--Mark & Jay Duplass

PUFFY CHAIR - DVD MovieA little boy learns that wearing a bag on his head when he gets nervous doesn't solve the problem.

Twitter Delicious Facebook Digg Stumbleupon Favorites More

 

web log free